Best-known because the guitarist for experienced crazed rockers the Butthole Surfers, Paul Leary became among alt-rock’s many in-demand producers through the ’90s, because of his use a number of the genre’s biggest brands. A indigenous of San Antonio, TX, Leary (whose name is normally Paul Leary Walthall) initial met potential Butthole frontman Gibby Haynes through the early ’80s as the two had been attending an area college, Trinity College or university. With both sharing exactly the same like for punk rock and roll, experimental performers (Frank Zappa, Yves Klein), and also traditional rock and roll (Creedence Clearwater Revival, Grand Funk Railroad), Leary and Haynes quickly became friends. In addition, it became obvious that in addition they shared exactly the same whacked love of life and quirky lifestyle, because the duo began up an area fanzine; which specialised in gross-out photos of horrific medical ailments. The duo ultimately agreed that university life wasn’t to them, and relocated to California collectively by 1982. Immediately after, the Butthole Surfers had been born. Even though group had even more in keeping with performance artwork than rock and roll music, the group dropped in using the punk picture, and through the entire ’80s issued a reliable blast of cult traditional albums (including such standouts as 1987’s Locust Abortion Specialist and 1988’s Hairway to Steven). From the dawn from the ’90s, the Butthole Surfers had been inching their method nearer to mainstream (or even more exactly, the mainstream was arriving at the Butthole Surfers), because they authorized a major-label cope with Capitol, and made an appearance within the inaugural Lollaplooza Event in 1991. It had been also for this period that Leary released a solo recording, History of Canines. The Butthole Surfers continuing to tour and record through the entire 10 years (even scoring a considerable strike in 1996 using the solitary “Pepper,” and its own accompanying recording, Electriclarryland), but Leary used his down-time from the group to utilize other artists. The center of the 10 years noticed the guitarist create two highly effective alt-rock produces: the Meat Puppets’ 1994 breakthrough TOO MUCH to Die and Sublime’s 1996 mega strike self-titled debut. Because of this, Leary received stable are a maker (Long Seaside Dub Allstars, Jeremy Kay, Reverend Horton Temperature, the Refreshments, Supersuckers, Daniel Johnston, and extra Meats Puppets and Sublime produces) and mixing machine (Toadies, U2, Weezer, Jane’s Habit, Nelly Furtado). Leary in addition has lent his acoustic guitar playing abilities to other performers’ recordings, including John Paul Jones’ Zooma, Rock Temple Pilots’ Crimson, Roky Erickson’s All THAT COULD Perform My Rhyme, as well as the She AVOID Jelly one with the Flaming Lips.