Canadian-born “jazz poet” Paul Haines is most beneficial recognized to jazz fans for his are a lyricist with composer Carla Bley, specifically the hugely ambitious concept album Escalator On the Hill (1971) and its own follow-up, Tropic Appetites (1973). Haines’ librettos for all those works shown his penchant for surrealism and smart wordplay. Ahead of those engagements, Haines got spent time for the Greenwich Community scene through the ’60s, where he produced connections for the jazz circuit and sometimes penned liner records or captured casual recordings on equipment. After his achievement with Bley, he sometimes resurfaced within the jazz globe being a lyrical collaborator, especially within the ’90s using the music group Curlew (1993’s A LOVELY Western Saddle) and its own head George Cartwright (1994’s Dot). Also in 1994, Kip Hanrahan’s American Clave label released the double-disc Darn It! Poems by Paul Haines, Musics by Many, a tribute of kinds featuring musicians of most stripes interpreting Haines’ text messages. A number of the larger names for the task included Paul Bley, Evan Parker, prog rocker Robert Wyatt, Derek Bailey, Cream’s Jack port Bruce, Big Superstar frontman Alex Chilton, Roswell Rudd, Don Pullen, and Henry Threadgill. Furthermore to composing poetry and lyrics, Haines was also a filmmaker and globe traveller, and his girl Emily — delivered throughout a sojourn in India — afterwards co-founded the indie pop group Metric. Haines passed on at his Ennismore, Ontario, house on January 21, 2003, the sufferer of heart failing.
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