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Patricia Petibon

Patricia Petibon is really a coloratura soprano dynamic both in opera and on the recital stage. She’s received very much acclaim on her behalf function in Baroque repertory, specifically in operatic jobs of Handel (Damon in Acis and Galatea), Rameau (Priestess/Shepherdess in Hippolyte et Aricie), Stefano Landi (Alessio in Il Sant’Alessio), and so many more. Yet, she actually is similarly adept in a variety of later functions, from Mozart (Blonde within the Abduction through the Seraglio) and Offenbach (Cupidon in Orpheus within the Underworld) to Massenet (Sophie in Werther) and Poulenc (Soeur Constance within the Dialogues from the Carmelites). Petibon’s tone of voice includes a pureness of audio and both a sweetness and creaminess within the higher runs, where she wields all types of nuance and virtuosity to stunningly gorgeous effect, as could be noticed in her documenting from the Queen from the Night’s revenge aria (“Der Hölle Rache kocht in meinem Herzen”) from Mozart’s The Magic Flute. Petibon provides recorded for a number of main brands, including DG, Decca, EMI Classics, Erato, Teldec, Virgin Classics, Warner Classics, and ArtHaus Musik. Petibon was created in Mantargis, France, on Feb 27, 1970. She researched piano as a kid and graduated using a level in musicology through the Paris Conservatory. She continuing her studies on the Conservatory in tone of voice under Rachel Yakar. At her 1995 graduation she was honored first award in performing. Petibon soon started appearing in collaboration with American-born French conductor William Christie and his orchestra Les Arts Florissants. Her first recordings were made out of Christie, aswell: a set of Charpentier discs released by Erato in 1996. Also for the reason that season Petibon debuted on the Paris Opera in Rameau’s Hippolyte et Aricie. She’d come back there on many subsequent events in functions by Mozart, Richard Strauss, Offenbach, among others. In 1998 the (Academie) Victoire de la Musique Classique called her Best Small Talent. In 2001 and 2003, exactly the same resource cited her as Greatest Opera Vocalist. In the brand new hundred years Petibon offers continuing to enlarge her repertory: in 2006 she made an appearance in the Nancy Opera performing Susanna in Mozart’s Le nozze di Figaro, and in 2008 in the Grand Theater in Geneva as Ginevra in Handel’s Ariodante. Petibon authorized an exclusive agreement with Deutsche Grammophon in 2008, and her 1st disk, Amoureuses, a assortment of arias by Haydn, Mozart, and Gluck, was released to great acclaim later on that 12 months.

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