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Pascal Obispo

From the mid-’90s, Pascal Obispo was among France pop’s most successful vocalist/songwriters, releasing a reliable stream of business blockbuster albums, credit scoring Top Ten strike singles with regularity, getting into sold-out concert travels, writing songs for the music of his have idea, and collaborating with more information on France pop stars, from Florent Pagny to Fatal Bazooka. Blessed on January 8, 1965, in Bergerac, France, he produced his solo record debut in 1990 with Le Longer du Fleuve on EMI. Co-written with Franck Darcel, the record was generally unsuccessful and it is frequently overlooked. Success was included with Obispo’s second record, nevertheless. Plus Que Tout au Monde, released in 1992, was the to begin many albums in colaboration with Sony Music. Made by hitmaker Nick Patrick, who got recently caused the Gipsy Kings, the record spawned several strike singles with “Plus Que Tout au Monde” and “Tu Vas Me Manquer.” Obispo’s third record, Un Jour Comme Aujourd’hui, premiered in 1994, and became just like effective, spawning another few strikes with “Tombé Pour Elle” and “Tu Compliques Tout.” Carrying out a concert tour to get Cérange Dion, Obispo’s reputation skyrocketed to brand-new levels in 1996 with Superflu, which reached number 2 for the French albums graph. Superflu spawned many hit singles, like the TOP smashes “Personne” and “Lucie,” and marketed more than a million products, earning diamond product sales qualification and charting for pretty much 2 yrs. In the wake of the achievement, Obispo collaborated with French pop celebrities Florent Pagny on his recording Savoir Aimer (1997), like the chart-topping name monitor, and Johnny Hallyday on his recording Ce Que Je Sais (1998). He also embarked on a favorite concert tour recorded around the chart-topping recording Live 98 (1998). In 1999, Obispo released the recording Soledad, collaborated with Pagny once more on RéCréation, and co-wrote and created Patricia Kaas’ smash strike recording Le Mot de Passe. Following the turn from the hundred years, Obispo scored a high Five strike with “Millésime,” a fresh studio room documenting included on the live recording Millésime Live 00/01 (2001). The follow-up recording, Studio Lover: Live Lover (2004), likewise a variety of studio room and live recordings, spawned the chart-topping strike “Lover” and the very best Ten strikes “Zinedine” and “Mourir Demain.” As typical, his subsequent main albums from the 2000s — Les Fleurs du Bien from 2006 and Welcome towards the Magic Globe of Captain Samouraï Blossom from 2009 — had been commercial blockbusters. From 2009, Obispo got time to transform his idea to get a musical humor, Adam et Ève: La Seconde Possibility, into actuality. Mounted and performed live, it had been also filmed and documented for discharge in 2011, using a starring function for Thierry Amiel. He also constructed a compilation, 2013’s Millésimes, including strikes, duets, and live paths. By the finish of the entire year, he previously released his ninth studio room record, Le Grand Amour, which reached number 3 on the France charts. Tenth record Billet de Femme, released in 2016, utilized the poetry of Marceline Desbordes-Valmore established to music; it became Obispo’s first number 1 record in years.

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