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Papaito

b. Mario Muñoz Salazar, Buena Vista, Cuba. Papaíto can be an Afro-Cuban who possesses a fascinating bittersweet tone of voice that he very easily uses in his inspiraciones: the improvisational ingredient fundamental to traditional salsa performing. First of all he’s a percussionist, and he caused cha cha chá originator, Enrique Jorrín, in Orquesta América. He shifted to Mexico, where he performed in a variety of films. While there, Papaíto became a member of the ‘personnel’ from the famous Cuban musical organization, Sonora Matancera, and continues to be an associate up for this day time. He fled Fidel Castro’s Cuba in 1960 and used residence in america. His session function outside Matancera included looks on two highly-regarded albums by compatriot Carlos ‘Patato’ Valdez: the 60s traditional Patato & Totico, with Cuban vocalist/percussionist Eugenio ‘Totico’ Arango and tres acoustic guitar expert Arsenio Rodríguez; and 1976’s Prepared For Freddy. Within the second option, Papaíto sang the business lead vocals of his self-penned ‘La Ambulancia’. He performed on trombonist Tag Weinstein’s past due 60s avant garde ‘underground tradition strike’ Cuban Origins, which was made by Al Santiago. He participated on Mongo Santamaría’s Up THROUGH THE Origins in 1972. The next yr, Papaíto sessioned within the solo debut, Un Castigador, by vocalist Roberto Torres. In 1977 he added percussion to Israel ‘Cachao’ López’s famed descarga (Latin jam) outings on Salsoul Information. Papaíto authorized with SAR Information, that was founded by Sergio Bofill, Andriano García and Roberto Torres, and released five extremely successful single albums like a business lead singer within the label between 1979 and 1984. Torres created and performed on all five. On four from the albums, Papaíto was along with a trumpet-led conjunto (group), augmented on some monitors by flute and violin. Three of the conjunto sets highlighted songs connected with Cheo Marquetti, a favorite Cuban vocalist and author of the 40s and 50s. Papaíto fronted a little charanga (flute, violins tempo section and voices music group), augmented by way of a tres, for his 1980 tribute to the fantastic Cuban vocalist/composer Abelardo Barroso (1905-1972): Papaíto Rinde Homenaje A Abelardo Barroso – that was probably the greatest album to emerge from the SAR steady. Papaíto joined up with the SAR home band, which documented and performed beneath the name from the SAR All Superstars. On 1981’s SAR All Superstars Recorded RESIDE IN Club Ochentas, Record 2, he sang business lead vocals on the significant descarga interpretation of the traditional 1931 strike ‘Un Manisero’ (The Peanut Seller). He made an appearance on SAR recordings by vocalist/composer Linda Leida (b. Villas, Cuba), Henry Fiol and Torres. Other performers Papaíto provides sessioned with, consist of vocalist Alfredo Valdés (ex-Septeto Nacional), his kid, pianist/arranger Alfredo Valdés Jnr. and Peruvian vocalist/composer Melcochita. He produced his UK debut in 1987 using a support music group that included Paris-based Cuban pianist Alfredo Rodríguez, who highlighted on Prepared For Freddy and Papaíto (1982). In 1990, Papaíto was employed by composer/professional manufacturer Victor Raúl Sánchez ‘Patillas’ to execute the business lead vocals of two of his music on Valdesa Information Presenta Vol. 1: Salsa Sudada.

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