b. 1910, South Africa, d. Sept 1975, Britain. A songwriter, pianist and vocalist, Roberts’ early education occurred in Britain. He subsequently went to college or university in South Africa before becoming a member of a legislation practice. Intention on learning to be a songwriter, he came back to the united kingdom where he previously some achievement in the past due 30s with tunes such as for example ‘Angel Of THE FANTASTIC White Method’ (created with Elton Package, Desmond Cox and Don Pelosi), and ‘Horsey, Horsey’ (with Package, Cox and Ralph Butler) which became well-known for Jack port Jackson, Billy Natural cotton and Henry Hall. During Globe Battle II Roberts flew using the RAF, so when serenity arrived he became an flight captain on BOAC Constellations. Subsequently, he came back to songwriting, and through the 50s, experienced several UK graph strikes, including ‘The Publication’ (David Whitfield), ‘Center OF THE Guy’ (Frankie Vaughan), ‘Place Down Your Hands’ (Anne Shelton), ‘Meet up with Me AROUND THE Part’ (Maximum Bygraves), ‘Pickin’ A Poultry’ (Eve Boswell); and ‘Evermore’, ‘Softly, Softly’ (#1 1) and ‘You Are My Initial Like’ (the final three sung by Ruby Murray). The second option song was presented in the English musical film It’s Great TO BECOME Youthful, and Roberts had written several other film tracks, including ‘In Appreciate For THE 1ST Period’ (for An Alligator Called Daisy, starring Diana Dors) as well as the name number to THE NICE Companions. His various other 50s compositions included ‘Johnny MAY BE THE Boy For Me’, ‘It’s A Boy’, ‘That Dear Aged Gentleman’, ‘Send For Me’ and ‘The Three Galleons (Todas las Tres Carabelas)’. A lot of the above mentioned songs were created in cooperation with others, such as for example Hans Gottwald, C.A. Rossi, Geoffrey Parsons, Peggy Cochran, Jack port Woodman, Gerry Levine, Ake Gerhard, Leon Property, Peter Hart, Garfield De Mortimer, Derek Bernfield, Augusto Alguego, G. Moreu, and Lester Powell (pseudonym of Ray Martin). Nevertheless, towards the finish of the 10 years, he was starting to compose unaided increasingly more regularly, and through the 60s he included many of his personal, frequently wry, witty and advanced, numbers within an achieved cabaret act. Most likely the best-known of the is usually ‘The Ballad Of Bethnal Green’, which loved a great deal of airplay, but there have been many others as well, including ‘The Belle Of Barking Creek’, ‘The Big Dee-Jay’, ‘Adhere to Me’, ‘Nation Lady’, ‘I Appreciate Mary’, ‘The Tattooed Female’, ‘What’s ALL OF THIS Fuss About Appreciate?’, ‘The Lavender Cowboy’ and ‘Don’t Upset THE TINY Kiddywinks’. Roberts gained many Ivor Novello Honours, and kept high workplace in the Performing Best Society as well as the Song Authors Guild.