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Oudi Hrant

Many Middle Eastern troubadours of the first 20th hundred years were named following the instruments they played, and among the best-known and celebrated, Oudi Hrant, got his name in the stringed instrument called the oud. Hailing from Istanbul, Turkey, Hrant set up a massive pursuing world-wide with Armenians, as well as performed in america in the 1920s through the 1950s (playing both formal concerts and personal shows at people’s homes). Hrant was renowned for ghazels, that are essentially a Middle Eastern type of blues offering scat performing over stark music, which included emotional subject material in the lyrics. This is never more noticeable in his melody “Hasta Yim” (translated meaning “I Am Ill”), which highlighted Hrant complaining that he’d “never start to see the great miracles of [his] homeland” (because of the fact that he was blind) aswell as Armenian genocide. Few recordings of Hrant can be found today (the hard-to-find ’60s discharge, Turkish Delights, getting among the exceptions), as just a smattering of unrehearsed shows had been captured on tape. Years afterwards, Hrant-disciple/fellow oud participant Richard Hagopian documented many Hrant compositions by himself, including such game titles as “Sirdus Vura Kar Ma Ga,” “Anush Yares Heratza,” “Ghurgeet Chant,” and “Parov Yegar Siroon Yar.”

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