Osvaldinho da Cuíca spent some time working with artists like Nelson Gonçalves, Ângela Maria, Adoniran Barbosa, Geraldo Filme, Germano Mathias, Ismael Silva, Nelson Cavaquinho, Cartola, Zé Keti, Nelson Sargento, Elton Medeiros, Clementina de Jesus, Beth Carvalho, D. Ivone Lara, Toquinho e Vinícius, Paulinho da Viola, Martinho da Vila, João Nogueira, Zeca Pagodinho, Lecy Brandão, Eduardo Gudim, Gal Costa, and Daniela Mercury. He’s more well known (beyond the town of São Paulo, where he provides since been connected with samba manifestations) as an associate of the group Demônios da Garoa (between 1967 and 1999), who received the 8th Sharp award as Greatest Samba Group. His contribution towards the keeping from the samba paulista custom was recognized by the União das Escolas de Samba Paulistanas, which granted him using the name of Embaixador Nato perform Samba Paulista. At 15, he had been a percussionist in the batuques and cableõha sido carnavalescos of the town of São Paulo, taking part in the creation of many samba institutions. In 1959, he became a member of the Teatro Popular de Solano Trindade. In the same season, he participated (in Monsueto Menezes’s group) in the soundtrack towards the film Orfeu Negro, champion from the Cannes Celebration and of the Oscar as Greatest Foreign Film. In 1962, with Chevalier and Paula perform Salgueiro, he performed in nightclubs and Television shows. DaCuica was elected the initial Cidadão Samba de São Paulo in 1974, within a competition promoted with the travel and leisure department of this town. Also in 1974, he documented his initial solo record as interpreter (Marcus Pereira). In 1975, he founded the Ala de Compositores from the samba college Vai-Vai and in addition participated in the building blocks of Gaviõha sido da Fiel (1974) and Acadêmicos perform Tucuruvi (1976). He was the manufacturer of the initial samba-enredo LPs from the metropolitan areas of São Paulo, Santos, Guaratinguetá, and São Luís perform Maranhão. In 1978, he acted in the brief subject made by Thomas Farkas about the annals from the cuíca. The film was shown internationally, yielding invites for performances overseas. In 1985, he performed in Japan with Nelson Ayres (1985) and with the Companhia de Franco Fontana, he performed in Italy, France, and Monaco (1987). 2 yrs afterwards, he performed in the U.S. associated Amilson Godoy and Hermeto Paschoal. In 1999, he performed single on the Amsterdã Samba Reaching (Holland). In 1984, he aimed and shown the musical O Canto dos Escravos using the involvement of Clementina de Jesus and Geraldo Filme (his partner for many years). In 1989, he performed in two symphonic occasions: “Matogrosso,” staged by Gerald Thomas on the Teatro Municipal de São Paulo, and a concert using the Orquestra Sinfônica perform Estado de São Paulo, in the Memorial da América Latina. In 1997, he participated in the documentary about Geraldo Filme that was the champion of the 3rd Event Internacional de Recordários de São Paulo — É Tudo Verdade, also becoming granted in the movie theater celebrations of Gramado RS, Brasília DF, and Cuiabá MT. A História perform Samba Paulista I, stated in 1999, DaCuica published and aimed the homonymous display.