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Olivia isn’t among the easiest abilities to pin straight down in Japan pop, and not just because she actually is half-Japanese, half-American. She debuted in 1996 in the short-lived all-girl group D&D prior to going single, and her musical eclecticism, whispery vocals, occasionally dark designs, and gothic appear place her out of sync with J-pop’s mainstream — specifically the sparkly Euro-beat of Ayumi Hamasaki, the sultry R&B of Namie Amuro, as well as the refined ballads of Hikaru Utada. Olivia Lufkin was created in Okinawa on Dec 9, 1979, to a Japanese mom and American dad, and got her initial flavor of showbiz when she signed up for the Okinawa Actor’s Guild, which also schooled potential J-pop superstar Namie Amuro and people from the pop idol group Utmost. While at the institution, Olivia was uncovered by the Increasing Productions management business (owned with the record label Avex Trax), and was selected to be the business lead vocalist from the three-piece young lady group D&D (brief for Fantasy & Dance), which debuted in 1996. The group disbanded in 1998 after a small number of singles and one record, reportedly on the behest from the band’s manufacturer, Tetsuya Komuro, who needed Olivia to go after a single career. Komuro’s initial job was to obtain Olivia up to speed to sing the vocals towards the theme tune towards the 1998 FIFA Globe Cup (kept in France), “Jointly Today,” co-written with Jean Michel Jarre. Olivia’s debut single one, “I.L.Con. -Yokubo-,” released in early 1999, as well as the associated record, the next year’s Synchronicity, signified a proclaimed shift from the upbeat dance-pop of her previous group toward a far more introspective, alternative rock and roll sound, seen as a Olivia’s wistful vocals and chugging, distorted guitars. The record included Olivia’s two biggest strike singles to time, which both proceeded to go Top 30 for the Oricon graph, like the Olivia-penned “Dear Angel.” The record, sung mainly in British, also included visitor areas from veteran Japanese electric guitar virtuoso Char and drummer Shinya Yamada through the big-selling visual-kei work Luna Ocean. Avex Trax turned Olivia towards the label’s “indie” imprint, LEADING EDGE, and in 2003 required the unusual stage of liberating four mini-albums, co-produced with Olivia’s more youthful sibling and bandmember, Jeffrey. The curiously entitled EPs were on limited launch at Tower Information shops in Japan. Internal Blood loss Strawberry was the most effective from the four, striking number 2 upon launch in the Tower Information weekly graph, while fans attemptedto decipher the English-only lyrics and styles of alienation. The macabre firmness was transported through on Olivia’s second complete recording, The Shed Lolli (2004), which noticed the vocalist/songwriter route her like of Nine In . Fingernails, Marilyn Manson, and early-’90s Uk punk-goth also-rans Daisy Chainsaw. The effect was an recording of ethereal dance-pop and heavier rock and roll songs somewhere within Björk, Tori Amos, and a much less angst-ridden Evanescence. Following album’s discharge, Olivia worked being a style model and released her own clothes line. Regardless of the humble success from the Shed Lolli in Japan, Avex produced the recording available overseas. There is small that was moderate about the achievement of Olivia’s following project: recording beneath the name Olivia inspi’ Reira, Olivia obtained her first TOP strike in 2006 using the shutting theme to Nana, an anime tv series predicated on the greatly popular manga group of the same name, entitled “JUST A LITTLE Discomfort.” Olivia repeated the feat in Oct from the same 12 months using the double-A-sided solitary Wish/Starless Night, the brand new opening and shutting tunes, respectively, in the Nana anime Television franchise.

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