Oliver Lake can be an explosively unpredictable soloist, somewhat comparable to Eric Dolphy within the ultra-nimble way he traverses the entire selection of his primary horn, the alto. Lake’s astringent saxophone audio is his brand — piercing, bluesy, and biting in the way of the Maceo Parker, it had been a perfect business lead voice for the entire world Saxophone Quartet, the music group with which Lake offers arguably produced his most long lasting music. Lake started performing drums as a kid in St. Louis. He 1st found the saxophone at age 18. Lake received his bachelor’s level in 1968 from Lincoln College or university. From the past due ’60s to the first ’70s he taught college, played in a variety of contexts around St. Louis, and led — alongside Julius Hemphill and Charles “Bobo” Shaw, amongst others — a music artists’ collective, the Dark Performers’ Group (Handbag). Lake resided in Paris from 1972-1974, where he worked well inside a quintet made up of fellow Handbag people. By 1975, he previously (alongside the majority of his Handbag colleagues) shifted to NY, where he became energetic on that which was known as by some the “loft jazz” picture. In 1976, with Hemphill, Hamiet Bluiett, and David Murray, he founded the entire world Saxophone Quartet. On the next 2 decades, that music group reached an even of popularity maybe unprecedented by way of a free of charge jazz ensemble. Its past due-’80s albums of Ellington functions and R&B music attracted an viewers that in any other case might do not have discovered its method to this esoteric design. Lake continuing working like a leader in addition to the WSQ, producing superb small-group albums within the ’70s and ’80s for Arista/Independence and Dark Saint. Within the ’80s, Lake led a reggae-oriented music group, Leap Up, that experienced a significant amount of pop achievement, though its creative appeal faded in comparison to his jazz function. Within the ’90s, Lake continuing to stretch artistically; a duo recording with classically qualified pianist Donal Fox arranged him absolve to explore the greater fanciful part of his musical character. Past due-’90s concerts using the WSQ, his personal organizations, and such duo mates because the hyper-dextrous pianist Borah Bergman demonstrated that Lake was still together with his video game. The saxophonist continuing performing and documenting as both a innovator and collaborator in to the 21st hundred years, developing Trio 3 with bassist Reggie Workman and drummer Andrew Cyrille (liberating such albums as 2002’s Open up Suggestions on Palmetto and 2008’s Berne Concert [in cooperation with pianist Irène Schweizer] and 2009’s AT THE MOMENT [in cooperation with Geri Allen] on Intakt); documenting using the String Trio of NY (2005’s Iced Ropes on Barking Hoop); and issuing such recordings simply because Cloth with the Oliver Lake Big Music group in 2003, Oliver Lake Quartet Live (offering Dine’ [Navaho tribe] vocalist and flutist Mary Redhouse) in 2006, and Makin’ It with the Oliver Lake Body organ Trio in 2008 (the last mentioned three Lake-led periods released with the Passin’ Thru label).