b. Japan. Norihide forges ‘laptop computer folk’ music that’s elegant, melancholic and likeably austere, as though elegiac for vacant rooms. Aswell as issuing music via Carpark Information (the brand new York, USA-based label behind produces from Child 606, Greg Davis and Takagi Masakatsu), Norihide is certainly a qualified Shinto Priest in his indigenous Japan. Shintoism may be the indigenous religious beliefs of the united states, marked with the veneration of character spirits and of ancestors. Norihide provides previously studied computer systems in school and played electric guitar in a rock-band. His music are, generally, performed on acoustic musical instruments such as electric guitar and hands drums that are eventually treated with pc/electronic components: simple electric guitar or piano monitors are haunted by small clicks or somewhat corrupted via digital trickery. Interpretations of Norihide’s music possess suggested that juxtaposition from the acoustic as well as the digital intentionally echoes the contradictions of the type worship from the musician’s beliefs using the super modern looks of his house town of Tokyo. Norihide eschews monitor titles towards identifying music by track measures, presumably in order never to intrude on any specific’s interpretation from the recordings. The cover of 2003’s Contemporary accentuated this propensity to minimalism – the sleeve was white apart from the name and the musician’s name in little black text message. This near-blank canvas appears apposite for Norihide’s music: there is certainly nothing needless in the music, no surplus in any way. Norihide’s debut Humour put together a duo of self-released EPs, Research and I.