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Obsession

Never everything that successful in the first place, Fresh Haven, CT rock group Obsession have steadily faded even more into hazy memory, being a backdrop towards the larger exposure attained by their singer, Mike Vescera, after he shifted to utilize several larger profile bands. Originally founded in 1982, Obsession obtained their first flavor of national publicity via that same year’s Steel Massacre, Vol. 2 compilation (also offering initial gasps by potential luminaries such as for example Armored Saint and Overkill), heading on to indication with its mother or father label, Metal Cutter, for another year’s discharge of their debut EP, Marshall Rules (such as Marshall amplifiers). As was the case with the majority of America’s underground steel bands of the first ’80s, this is roundly ignored since it offered bit more than a much less vivid carbon duplicate from the English trad-metal of Judas Priest rather than a trace from the increasing thrash or glam designs that could dominate the continent’s scenery on the ensuing 10 years. Metal Knife certainly found that summary, and declined to get the band’s choice, thus freeing these to sign using the much less effective Enigma label for a set of increasingly competent but nonetheless very non-descript albums in 1986’s Scarred forever and 1987’s Ways of Madness. The second option observed the sundering of Obsession’s long-tenured lineup of guitarists Artwork Maco and Bruce Vitale, bassist Matt Karagus, drummer Jay Mezias, and undoubtedly, these Vescera, who was simply soon to simply accept an present to front side Japanese heavyweights Loudness throughout their ill-fated try to split the American marketplace. Two inadequate albums later on, Vescera parted methods with Loudness and was presented with a start the singer-for-hire merry-go-round that exceeded for Yngwie Malmsteen’s music group before his personal, unavoidable ejection after another couple of LPs, of which stage he retreated mainly to session function, interrupted by the casual solo recording or visitor appearance. Meanwhile, the majority of his previous Obsession bandmates languished within their post-music day time careers and no-hope golf club bands, therefore drummer Jay Mezias was just too pleased to heed Vescera’s contact when the second option made a decision to record a fresh Obsession recording — 2006’s Carnival of Lays — alongside guitarists Joe Stump, Robert Marcello, and bassist Chris McCarville. And, despite deafening general public indifference, this is accompanied by an eponymous recording featuring fresh six-stringers John Bruno and Scott Borland simply two years later on, signifying that Obsession are certainly alive, if definitely not well.

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