Noriyuki Makihara

Producing his way in to the dense J-Pop scene in the first ’90s, Noriyuki Makihara quietly bucked the pattern of brief and trendy artist lifespans, staying within the scene for near twenty years. After some main early strikes with 1991’s “Donnatokimo” and 1992’s “Mou Koi Nante Shinai,” Makihara started updating his audio to complement the contemporary picture (though a good quantity of Casio keyboard-style synthesizers could be noticed in the initial pieces). Piece by piece, Makihara became a modern artist, and even though his product sales lagged for a while (briefly highlighted through “Ashioto” because the theme for the Nagano Winter season Olympics), he came back towards the picture in the past due ’90s with items such as for example “Hungry Spider,” acquiring some cues from American option stylings. Carrying on to generate single after solitary, album after recording throughout the 1st decade of the brand new hundred years, Makihara might not possess differentiated greatly from all of those other J-Pop globe, but earned a location for himself within the pantheon of J-Pop notables through pure longevity. Lately 2007, Makihara experienced returned towards the Oricon graphs with “Kanashimi Nante Nan no Yaku ni mo Tatanai to Omotteita,” staying saturated in the ratings for months following its release.