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Nora Ney

Nora Ney’s name is from the doleful repertory of sambas-canções referred to as “fossa,” similar to smoky and dark nightclubs where people would sing their like aches in the ’50s, in the time immediately before bossa nova took the united states using its solar special event. At exactly the same time, Ney’s profession is from the frenzy from the auditorium radio implies that she frequented since her teenagers, as well regarding the American pop repertory — her stage name was motivated by Doris Time and her first renditions had been sung in British. Having already released Antônio Maria, in her initial saving Ney wouldn’t regret pursuing in his footsteps following the tremendous achievement of “Ninguém Me Ama.” Motivated by the uncommon achievement that brought her the initial yellow metal record ever released in Brazil, Nat Ruler Cole documented the same tune just a little afterward. Nora Ney was also the initial Brazilian musician to record rock and roll & move, in 1955 (Costs Haley and his Comets’ strike “Rock Night and day,” by Utmost Freeman and Jimmy DeKnight). Having trained herself just a little electric guitar when still a kid, Iracema de Souza Ferreira, who afterwards would consider the stage name Nora Ney, was a normal on the auditoriums where in fact the radio displays from the fantastic age had been broadcast from. For the reason that period she had been sitting down in when solicited with the eventual web host. After a failed relationship, she visited live with the vocalist Jorge Goulart, using the few remaining jointly for 50 years. Before Ney went pro, she utilized to regular the Sinatra-Farney lover golf club in the past due ’40s at Dick Farney’s house. Affected by American music, she offered in those conferences the songs-turned-hits by Frank Sinatra in her low and velvety tone of voice. Encouraged from the additional music artists present there (such as for example Johnny Alf), she began as a specialist singer in the first ’50s at Rádio Tupi. For the reason that period, her solid points had been American tunes like “Stormy Weather conditions” and “THE PERSON I REALLY LIKE,” acquiring the stage name Nora Might, soon transformed to Nora Ney after she experienced her name created like that with a fan inside a notice. Invited by Almirante to displace Araci de Almeida, who was simply on holiday, Ney began to interpret Brazilian music, selecting Noel Rosa sambas, de Almeida’s niche. Having delighted the viewers, she was presented with a display of her personal by maker Haroldo Barbosa, where she interpreted just tunes by Brazilian composers like Dorival Caymmi, Noel Rosa, and Ary Barroso. In the first ’50s, Ney also became presented in displays at the blissful luxury Golden Space from the Copacabana Palace Resort. In 1952, employed from the Continental documenting company, she documented her 1st album, where she released the composer Antônio Maria with “Menino Grande.” The B-side experienced “Quanto Tempo Faz” (Paulo Soledade and Fernando Lobo). “Menino Grande” became among her additional strikes. In the same season, she released another all-time traditional by Maria, the samba-canção fossa “Ninguém Me Ama,” that Ney got the initial yellow metal record ever released in Brazil, associating everlastingly her tone of voice to the discomfort of like. In 1953, Ney documented another strike, “De Cigarro em Cigarro” (Luís Bonfá), getting elected the “Queen of Radio.” Experiencing massive reputation, Nora Ney got other successes in the ’50s, and one of the primary of these was the traditional samba “Só Louco” (Dorival Caymmi). In 1958, she documented “Vai Mesmo” (Ataulfo Alves) and still left Brazil with Jorge Goulart for a global tour through South and THE UNITED STATES, European countries, Africa, and the center East. The few was accused to be communist and was for the initial set of ousted performers through the Rádio Nacional following the armed forces coup in 1964. But their reputation survived the dark moments and they continued with their independently successful professions. In the first ’70s, Ney and Goulart starred within a present on the Feitiço da Vila membership in Belo Horizonte (Minas Gerais), also taking part jointly in the present Brazilian Follies on the Resort Nacional (Rio de Janeiro); in the Seis e Meia task on the Funarte Hall in 1979; using the display Casal Vinte and in the same space; and within the next 12 months, in the display Roteiro de um Boêmio, on the subject of Lupicínio Rodrigues, author of many of her strikes like “Aves Daninhas.” In 1982, the few commemorated 30 years alongside the display De Coração a Coração in the Gonzaga theatre (Rio Janeiro). In 1985, Ney performed with Jamelão in the Pixinguinha task in the towns of Curitiba (Paraná), Goiânia (Goiás), Florianópolis (Santa Catarina), and Brasília (Distrito Federal government). Teaming up in 1990 with additional radio old-timers Carmélia Alves, Rosita Gonzalez, Ellen de Lima, Violeta Cavalcanti, and Zezé Gonzaga, Ney performed in the display As Eternas Cantoras perform Rádio, documenting with them a likewise titled Compact disc in 1993.

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