Nick Kent was among Britain’s most renowned and, sometimes, notorious rock and roll journalists in the ’70s, when he was a normal contributor to New Music Express. Kent began writing expertly in 1971, at age 19, you start with the underground publication Frendz. He began doing work for NME the next 12 months, and certainly required the living-on-the-edge credo from the rock and roll lifestyle significantly, to the idea of soaring to Michigan and going to Creem’s offices, unannounced, to inquire Lester Bangs if he could train Kent in the good points of rock and roll journalism. For this period, NME reorganized its editorial plan to become a lot more hip and contemporary-minded, which offered Kent a chance to deal with hard and daring topics. Kent was specifically interested in authoring, and interviewing, a few of rock’s most tortured, drug-addled geniuses. He do among the initial substantial parts about Syd Barrett, and had written lengthy content on legends like Lou Reed, Roky Erickson, the brand new York Dolls, Brian Wilson, Elvis Costello, as well as the Rolling Rocks that didn’t always present these heroes within their greatest light. Actually, Kent appeared to have an hunger for controversy, decadence, and melodrama, or at least a knack for sketching these components out in his topics during the period of interviews. Tales from your NME era, aswell as types he published for other magazines in the ’80s and ’90s, come in the anthology The Dark Stuff, his 1st (and, by the past due ’90s, just) publication. Kent maybe got a touch too mixed up in lifestyle from the music artists he was covering, and by the middle-’70s had plenty of issues with hard medicines that it had been adversely influencing his composing and career. It had been around this period that he performed a tangential part in the introduction from the Sex Pistols. Kent surely got to understand Sex Pistols supervisor Malcolm McLaren in 1974, and helped teach him about music past and present. Kent fulfilled the Sex Pistols and offers created that he helped redirect their passions from the tiny Encounters and ’60s pop oldies to pre-punkers just like the Stooges and Contemporary Enthusiasts. At one Sex Pistols gig, Kent was attacked and bloodied having a bicycle string by Sid Vicious; English punk historian Jon Savage speculated that this Sex Pistols’ “I Wanna Become Me” was about Nick Kent. Kent, incidentally, experienced a short romantic relationship with Chrissie Hynde around 1974, at the same time when Hynde was an NME article writer and an employee in Malcolm McLaren’s style shop, not really a musician. Hynde informed Savage, in Savage’s punk background, England’s Thinking, that Kent, dubious that Hynde have been seeing another person, once emerged in the store to whip her along with his belt, precipitating McLaren allowing her move and her speedy departure to Paris. Although he’s still many famed for his stint with NME in the ’80s and ’90s, Kent composed for many magazines, including The Encounter, Spin, and Information. In 1988, he transferred to Paris, where he proved helpful in television furthermore to continuing to create for journals and daily documents.