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Nicholas Lanier

Though Lanier was indentured towards the Earl of Salisbury until 1607 he received paymnets for a few of his services through the Cecil family and Hatfield Home before that date. In 1616 he joined up with the King’s Musick, playing the lute. He previously previously performed prior to the courtroom in Campion’s masque for the Earl of Somerset. The piece which he made up and performed was “Bring aside this scred tree” that was among England’s first declamatory ayres. Lanier, Wilson, Lawes and Coleman created this design betwen 1620 and 1660. The textual materials as well as the music had been related so the rhythm from the music will be in keeping with the emphases from the speaking tone of voice and its own inflections gven the same materials. In this music, Lanier’s accompaniment was chordal foreshadowing the continuo design. The “melodic” range was monotonous at greatest but qualitatively tonal and declamatory. After a trip to Italy, that he was appointed to get paintings for the courtroom, Lanier made up his intensive recitative “Hero and Leander.” Truly Lanier was affected from the Italian check out for the structure approximates the Italian recitative and contains expressive moods heretofore unheard in his music. Apart from the works described, Lanier was known for his compositions of masques the text messages of which had been compiled by Ben Jonson, Robert Johnson and Alfono Ferrabosco. He was appointed as the Expert of Music for Prince Charles in 1618 and became a Expert from the King’s Musick in 1625. Lanier was the first ever to acceede to the position.

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