Niccolò Castiglioni

Niccolò Castiglioni was an Italian composer who began his profession composing Neo-Classical music, moved to the 12-shade technique, then created a unique combination of avant-garde methods and late-Romantic manifestation. Castiglioni received his musical education in the Verdi Conservatory in Milan, where he researched with Ghedini, Margola, Fuga, and Desderi in structure and Lidia Zambelli in piano. Then took advanced research in the Mozarteum in Salzburg, where his educators included Franz Gulda and Boris Blacher. He also went to the summer programs at Darmstadt, the guts of serial music at that time. He started his professional musical profession like a pianist. His 1st major function was an opera, Uomini e no (1955). In 1961, his compositional profession became founded when he earned the Italia Reward for his radio opera Attraverso lo specchio (Through the Looking-Glass), that was accompanied by another opera motivated by Lewis Carroll, Jabberwocky (1962). As he started incorporating serial technique into his Neo-Classical design, he also explored the root base of Schoenberg’s 12-build method by a report of late-Romantic music, with the effect which the orchestral music of the period became central to his method of musical considering. Eventually, he examined other tendencies of contemporary music, like the play component of John Cage, the group or stop thinking about Karlheinz Stockhausen, a Neo-Impressionistic orchestral design, as well as the modal and harmonic tips (aswell as the orchestral colorations) of Olivier Messiaen. As his profession went on, he previously a larger propensity to utilize the contrasts between these methods as formal or structural elements in their very own right. Being a article writer about music (he proved helpful also a music critic) he was among the initial market leaders of post-War music to take care of Anton Webern as significantly significantly less than the central amount in musical progression (because so many commentators of that time period noticed him). He composed at least two dozen significant functions between 1955 and 1970. In 1966, he migrated to america, where he was composer-in-residence of the guts of Innovative and Performing Arts on the Condition School of NY (SUNY)-Buffalo (1966 – 1967), a faculty person in the School of Michigan (1967) as well as the School of Washington at Seattle (1968 – 1969), and was appointed an trainer on the School of California in NORTH PARK in 1970. Nevertheless, by that point, he previously become sick and came back to Italy. He continuing to compose essential functions, but at a very much reduced rate.