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Nestor de Hollanda Cavalcanti Neto

The co-founder from the collecting rights agency SBACEN, composer, writer, and journalist Nestor de Hollanda Cavalcanti Neto, father of classical and popular composer Nestor de Hollanda Cavalcanti, wrote an appreciable level of compositions, just like the march “O Periquito da Madame” (with Carvalhinho/Afonso Teixeira), recorded by Quatro Ases e Um Coringa in November 1946, as well as the samba-canção “Quem Foi?” (with Jorge Tavares), documented by Aracy de Almeida in 1947. Among his masterpieces that may also be talked about are “Xém-Ém-Ém” (with Geraldo Medeiros in 1945 and included on the soundtrack to a Walt Disney film), “Stability European union” (with Luiz Gonzaga), “Dança Chinesa” (with Haroldo Lôbo, 1952), “Ele Já Voltou” (with Fernando Lôbo, 1950), “European union Sei Que Ele Chora” (with Ismael Neto, 1951), “Fala Pierrô” (with Levino Ferreira, 1940), “Já É Noite” (with Paulo Soledade/Fernando Lôbo, 1950), “Muito agradecido” (with Lúcio Alves, 1959), “Vou procurar outro bem” (with Ary Barroso, 1956), “Meu Mundo é Você,” “Último Beijo,” “Muito Agradecido,” “Seu Nome Não é Maria,” and “European union Sei Que Ele Chora.” Cavalcanti’s books are between the best-selling in Brazil, having been translated to many other dialects. His most significant functions are Diálogo design Brasil — URSS, O Mundo Vermelho, Sossego, Rua da Revolução, Jangadeiros, A Ignorância ao Alcance de Todos, Itinerário da Paisagem Carioca. The last mentioned brought him the name of Carioca Resident, granted with the legislative set up from the then-Guanabara Condition (presently Rio de Janeiro). Having currently lost his dad, Cavalcanti moved along with his mom and siblings to Recife in 1929. At a age, he began to compose for local papers and also composed many comedies for movie theater. In 1941, he transferred to Rio de Janeiro where he added to the periodicals A Cena Muda, Revista da Semana, Brasilidade; also to r / c Vera Cruz, Transmissora, and Educadora. Following the war, where he served being a sergeant, he proved helpful for several main papers like O Imparcial, A Noite, Diário Carioca, and Última Hora; periodicals like Manchete, A Noite Ilustrada, Carioca; r / c such as for example Rádio Clube Fluminense, Rádio Cruzeiro perform Sul, Rádio Clube perform Brasil, Rádio Globo, Rádio Nacional, and Rádio Ministério da Educação e Cultura; and Television channels like Continental, Excelsior, and Rio. Among the revues and comedies he composed add a Bomba da Paz, Está em Todas, Television Em fun??o de Crer, Terra perform Samba, Um Homem Mau, and A Bruxa.

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