The final Nawab (ruler) from the India’s state of Avadh, Nawab Wajid Ali Shah (1823-1887) had not been only an excellent patron of music as well as the arts but a talented Kathak dancer and composer in his own best. He had written ragas, including “Jogi,” “Jushi,” and “Shah Pasand,” ghazals, thumris, like the much-loved “Babul Mora Naihar Chchooto Jaay,” as well as the initial play, Radha Kanhaiyu Ka Kaissu, in the annals of Hindustani Movie theater. During his reign (1847-1856), Wajid Ali changed the Avadh capitol, Lucknow, right into a growing middle of music, dance, literary arts, and movie theater. He founded a college (Pari Khana) where women were trained music and dance and produced many stage displays of his poetry and lyrical compositions. Wajid Ali was attracted to the arts as a kid. He researched vocal schooling under Ustads Basit Khan, Pyar Khan, and Jaffar Khan and Kathak dance under Thankur Pradadji and Bindadin Maharaj. Although he brought a nature of imagination to his empire, Wajid Ali’s reign emerged at an unlucky period. Although he withstood problems from Baba Uddhardas, ruler of Bheeti, he fulfilled a far more formidable foe in Lord Dalhouse of the uk. Appointed to a three-man payment, comprised of reps from the Hindus, the Muslims, as well as the East India Business, he delivered a separate plea for the folks of his homeland. His phrases fell on shut ears as Dalhouse made a decision to annex Avadh being a United kingdom protectorate. Wajid Khan was stripped of his power, provided a perpetual regular stipend, and exiled to a long way away Matiaburj, a community near Calcutta. As the folks of Avadh mourned his reduction, Wajid Ali continued to be focused on the arts and recreated the innovative atmosphere of Lucknow in his brand-new home. He passed away, still in exile, on Sept 1, 1887.