Nationalteatern

Nationalteatern, challenged just by Hoola Bandoola Music group, was the brightest glowing star around the Swedish progressive rock and roll scene within the ’70s. And unlike a great many other intensifying rock and roll rings, they included a large dose of rock and roll & roll, producing the music rather easy to gain access to. Also distinguishing Nationalteatern, the lyrics, while becoming highly political, had been even more of socio-realistic tales compared to the programmatic and dogmatic teachings of therefore lots of the band’s contemporaries. In the beginning formed as a free of charge theatre group in Lund, 1968, Nationalteatern relocated to Göteborg and began to place heavy focus on the musical area of the performs. The musical maestro of the group was Anders Melander, and he also performed a lot of the devices at the documenting from the organizations debut recording, Ta Det Som Ett Löfte……Ta Det Inte Som Ett Hot. A lot of the music stemmed from earlier takes on and was definately not coherent. Still the track “Ut I Kylan” became a strike, obtaining some airplay. On the next recording, Livet Är En Fest, Ulf Dageby was allowed even more space, and he was later on to evolve in to the group’s traveling force. The recording was more simple than the earlier one and included more rock and roll, something that demonstrated very effective. The title track was compiled by Dageby and would become Nationalteatern’s biggest strike ever. Kåldolmar Och Kalsipper, released in 1976, was primarily a children’s recording with theatrical music. But on Barn Av Vår Tid, the very first album offering Totta Näslund, the group came back to rock and roll also to lyrics about operating class kids. The issue of merging music created for performs with music created for rock and roll albums led to Nationalteaterns Rockorkester becoming created in 1980. Because the name shows, the group was to focus on composing rock and roll music, departing the theater to others. The formation just lasted for any year . 5 though, and Näslund and Nikke Ström continued to create Tottas Bluesband, while Dageby documented a solo recording, En Dag På Sjön, and had written film music. In the meantime, the theatre resided on, launching the children’s record Peter Skillet in 1987, and in 1991, Nationalteaterns Rockorkester was reunited. The record Nationalteatern Rockorkester LIVE was documented on the ensuing tour, however the group shortly disbanded once again. In 2000, Dageby got the effort to a fresh reunion, acquiring the band on the nationwide tour.