Nada

Enfant prodige, elegant interpreter, rocker, singer/songwriter, celebrity, and article writer: Nada is all of this and more, an assortment of skill and uneasiness that made her a distinctive number in the Italian music picture. Created in Gabbro, near Livorno (in Tuscany) November 17, 1953, Nada Malanima authorized her 1st record cope with RCA when she was only a child, and debuted in 1969 in the Sanremo Music Event with the music “Ma Che Freddo Fa.” Though it didn’t earn, it quickly became an enormous achievement, turning Nada right into a celebrity. In the next years, carrying out a strategy carefully made by her maker Franco Migliacci, she got part in a few of the very most essential music festivals, completing 1st at 1971’s Sanremo with “Il Cuore È uno Zingaro,” and liberating for the time being the albums Nada (1969) and Io l’Ho Fatto per Amore. Her solid and rebellious personality gradually emerged, pressing her profession in various other directions — much less profitable, but artistically as pleasing. After recording music by then-debuting songwriters such as for example Riccardo Cocciante, Antonello Venditti, and Claudio Baglioni, who start to see the light of time just in 1994’s anthology Malanima, Nada began a cooperation with Livorno’s maudit vocalist/songwriter Piero Ciampi, who composed all the music contained in Ho Scoperto Che Esisto Anch’io (1973). 1930: Il Domatore delle Scimmie and Nada implemented respectively in 1975 and 1977. In the same years, she also debuted being a theatrical celebrity, dealing with directors such as for example Giulio Bosetti and Dario Fo. For the time being Nada had began penning her very own songs — one of these getting 1982’s “Ti Stringerò,” the name an eye on her first record from the ’80s (the follow-up to a 1979 work once again merely entitled Nada). 1983’s Smalto included the one “Amore Disperato,” her most significant hit from the decade. The next albums, the greater electronic-oriented Noi Non Cresceremo Mai (1984) and Baci Rossi do sell quite badly, slowing her profession until 1992’s incomplete return to type L’Anime Nere. In the center of the ’90s Nada teamed up with Avion Travel’s Fausto Mesolella (electric guitar) and Ferrucio Spinetti (dual bass), and started an effective tour where she revisited a few of her most significant hits in a far more jazzy and introspective method. The results could be noticed on 1998’s Nada Trio. In 1999 she came back towards the Sanremo Music Celebration with “Guardami Negli Occhi,” a melody contained in the Mauro Pagani created Dove Sei Sei, the initial chapter of a fresh, more rock-oriented stage of her profession.L’Amore È Fortissimo Il Corpo Simply no and Tutto L’Amore Che Mi Manca adopted in 2001 and 2004; the latter, made by John Parish, was documented with guests such as for example Cesare Basile and Howe Gelb. In 2003 Nada also released her first publication, Le Mie Madri. A tour with previous C.C.C.P. and C.S.We. guitarist Massimo Zamboni resulted in the discharge from the live recording Nada Zamboni L’Apertura (2005), adopted in 2006 from the anthology Le Mie Canzoncine 1999-2006 and in 2007 by Luna in Piena.