Myrna Lorrie is something of the fixture in Canadian nation music, but she never made serious inroads in the American marketplace. However, she racked up many Canadian quantity types in the ’60s — “I CANNOT Live with Him,” “Inform Me Never to Proceed,” “IGNORE the Music” — and frequently performed personally and on radio and tv, accumulating a status that resulted in her induction in to the Canadian Nation Music Hall of Popularity in 1989. There is a period when she attemptedto break right into the U.S. marketplace, though. It had been early in her profession, soon after her homeland popularity was starting to build. Blessed in Cloud Bay, Ontario on August 6, 1940, she sang frequently as a kid, eventually winding through to local radio applications when she is at her early teenagers. She found the interest of Don Grashey, a songwriter who asked her to become Pal DeVal’s duet partner on “Are You Mine.” The one premiered on Abbott Information in past due 1954 and finished up charting in January 1955, climbing completely to quantity six for the Billboard nation charts (Grashey got concurrently released another edition of “Are You Mine” documented by Ginny Wright and Tom High by himself label; it peaked at number 2). “Are You Mine” forced Lorrie in to the limelight and she made an appearance with Hank Snow in the Grand Ole Opry, after that cut several even more singles for Abbott before shifting to RCA in 1957. non-e of the singles finished up turning into a large hits, and in 1960 she wedded and started a family group. By the middle-’60s she got came back to her indigenous Canada and was hosting her personal television system, The Myrna Lorrie Display, while documenting singles for the Canadian marketplace for the Gaity and Musicor imprints; that’s where her aforementioned streak of quantity ones began. After the singles dry out — her last charting solitary was 1971’s “Getting Mary House,” which scraped the very best 40 at 37 — she dedicated herself to hosting tv applications. She was on Countrytime between 1970 and 1974 and Nashville Golf swing between 1977 and 1981. She performed live regularly through the entire ’80s, sometimes allowing a young vocalist, Eileen Twain, sing on-stage with her (Twain found stardom as Shania), and in 1989 Lorrie got her last strike with “Blue Blue Me.” That yr she also was inducted in to the Canadian Nation Music Hall of Popularity. She continued to execute and sometimes record through the entire ’90s but she gradually wound down her profession after that.