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Mustard & Gravy

Frank Grain and Ernest L. Stokes met up as “Mustard & Gravy” in 1933 in NEW YORK, and spent another 20 years engaging nation audiences, writing several folk-style classics and something rockabilly-style number along the way. They both hailed from Wilson, NC, and had been related by relationship to a set of sisters. After earning a local skill competition on WGTM in Wilson, they shifted up to larger radio stations and in addition got a documenting agreement with RCA-Victor’s Bluebird label, slicing sessions in Sept of 1938 in SC. Mustard & Gravy’s music was essentially country-novelty having a hillbilly advantage, although they may possibly also perform minstrel-style numbers and also helped anticipate rock and roll & roll to some extent. They were found out by Smiley Burnette — himself a country-novelty performer — and suggested by him to Columbia Photos, which place them in two B westerns in 1946 and utilized them for another in 1949. The duo also made an appearance in one film with Eddy Arnold, whom that they had toured with aswell. After World Battle II, they cut a minimum of a unitary, “Become Bop Boogie,” compiled by Grain, for Gotham in 1950, that was, in turn, 1st included in Harry Homosexual and later on, in genuine rockabilly style, by Don Hager as well as the Popular Tots late within the ’50s. The B-side of this solitary, “That Ain’t in virtually any Catalog,” represents the novelty-song part of the sound, and it is a funny and lusty little bit of nation laughter. The Library of Congress offers reissued among their recordings of the Frank Grain unique, “Circus Parade.”

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