This instrumental ensemble is appreciated because of its dynamic vivacity, virtuosic precision, as well as the historical accuracy of its performance practices. The ensemble continues to be invited to numerous of the very most essential festivals, like the Prague Springtime, Flanders Festival, Celebration Oude Muziek Utrecht (Old Music Celebration of Utrecht), Bach Tage Berlin (Berlin Bach Times), Ansbacher Bachwoche (Ansbach Bach Week), the York Early Music Celebration, and Wratislavia Cantans. Musica Fiata Köln provides collaborated on many shows using the vocal group La Capella Ducale. Its assorted and richly textured repertoire contains the amazing Psalmi Davidici, qui penitentiales nuncupantur (Venice, 1583) as well as the Magnificat ? 12 of 1587 by Andrea Gabrieli; Antonio Bertali’s Maria Maddalena; the Vespermusik and additional functions of Heinrich Schütz; magnificent realizations of functions by Giovanni Gabrieli with huge instrumental organizations (e.g. ten trombones, seven organs, etc.); Vespermusik by Giovanni Valentini and Giovanni Priuli; music in the stilo fantastico from the changing times of Monteverdi; motets by Jean de Castro; Philippe de Monte’s Missa sine Nomine as well as the people Vestivi i Colli and Ultimi miei Sospiri; the Missa Susanne un jour by Orland de Lassus; Monteverdi’s Vespro della Beata Vergine; the Polyhymnia Caduceatrix e Panegyrica assortment of evangelical chapel songs; instrumental functions by Michael Praetorius; Johann Rosenmüller’s Requiem and Missa et Motetti pro defunctis; Johann Hermann Schein’s Psalmen Davids and Te Deum; Johann Schelle’s Actus Musicus auf Weyh-Nachten (Xmas Music); Monteverdi’s Selva Morale of 1641; Canzoni of Giovanni Picchi; and several additional functions by these composers and their contemporaries.