Mundo Livre S/A

This band formed in Recife (Pernambuco) in 1984, from the continues to be of three deceased punk bands (Trapaça, Serviço Sujo, and Câmbio Negro). Mundo Livre S/A spent many years playing under substantial booing, particularly when they performed the tamborim (a percussion device traditional in the samba genre). In 1987, the band’s equipment were stolen, hence leading to the dissolution of the group. Bandleader Fred 04, a journalist by job, visited São Paulo and proved helpful there for just one calendar year. Upon his come back, the town was changing with the forming of an alternative market for unorthodox serves like his. Regrouping once again, Mundo Livre opened up in 1990 using the present Mundo Livre Hits Again, at exactly the same time that Chico Research, Jorge du Peixe, Alexandre Dengue, and Lúcio Maia had been developing the audio of Nação Zumbi. In middle-1991, something resembling a motion began to consider hold in the town. The theory was for connecting the mangues (mangroves) of Recife using a worldly network of pop principles. It had been symbolized with the picture of a parabolic antenna trapped in the dirt. It had been Fred 04’s objective (as well as Renato L.) to conceive the movement’s express, the Manifesto perform Movimento Mangue Little bit. In the same period, Mundo Livre, Loustal, Chico Research & Nação Zumbi, and Lamento Negro documented the compilation Caranguejos Com Cérebro (Brained Crabs, another solid picture utilized by the motion, which begun to be referred to as mangue defeat). Finally, after a decade of anonymity, Mundo Livre exploded in 1994 as a surprising rvelation with the record Samba Esquema Sound (the title can be an apparent homage to Jorge Ben’s Samba Esquema Novo, which motivated their masterpieces). Despite its nationwide presence on Television shows, the music group didn’t reach industrial success and continuing with complications. In 1996, they participated, along with Banda de Pífanos de Caruaru and Chico Research & Nação Zumbi, in the Brazilian Music Celebration at Prospect Recreation area in Brooklyn, NY. The Brazilian rings received rave testimonials in the American press, which calendar year Mundo Livre’s second record arrived, the cruder Guentando a Ôia. However, it happened once again: the critics cherished it however the general public didn’t purchase it. For the positive part, it presented their two first international shows (alongside the Mexican one); for the drawback was the departure of percussionist Otto, who later commence a effective solo profession. The Mundo Livre saga continuing on the third recording, Carnaval Na Obra, that was contained in many best-of-the-year lists (and regarded as with a Showbizz journal critics poll as the very best Compact disc of 1998).