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Few producers surpassed the success and acclaim of MRI through the rise of German minimal home in the first 2000s as chronicled by such labels as Pressure Songs, Kompakt, and Perlon. This Frankfurt, Germany, creation duo — Stephan Lieb and Frank Elting, who also record somewhere else — made Pressure Tracks among the Pressure Inc. label’s many embraced sub-labels from 1998. A 12 months later, Pressure Tracks released the very first MRI full-length, Rhythmogenesis, a assortment of three previously released EPs: Dauerl√§ufer, II, also to Become Honest. The recording garnered endless compliment, aided partly from the simultaneous compliment heaped upon another Pressure Songs full-length, Luomo’s Vocal Town, and Andrew Weatherall’s Hypercity DJ blend for the label, which highlighted several MRI paths. The lingering achievement of Rhythmogenesis, MRI’s focus on touring, and the next Nightclubbing in the home EP established the stage for many That Glitters in 2002, the duo’s second full-length. Certainly, expectations had been high, particularly provided the growing reputation of German minimal home in the first 2000s. However, MRI once again garnered significant acclaim, this time around for changing beyond simple minimal home. The duo included vocals on many of the album’s paths in addition to a even more dynamic selection of paths, even more dancefloor-orientated than others, even more dubby than others.

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