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Mousie Alexander

Changing the dynamic Gene Krupa in the strap from the oppressively challenging Benny Goodman cannot have already been easy, specifically for a fellow diminutive enough to possess wound up using the nickname Mousie Alexander. This also turns up as Mousey Alexander, although a rodent is definitely a rodent regardless of the spelling. A 1957 concert review, nevertheless, appears to indicate that Alexander do just great sitting on the traps: “Mousie Alexander might not possess the fireplace of Krupa, but he includes a great, sharp technique and will even more with brushes than many perform with sticks.” Mastery with brushes — a drummer’s drummer sort of matter — is among the factors many jazz supporters love the playing of Alexander, whose amazing discography is certainly packed with great periods backing up market leaders such as for example guitarist Johnny Smith and pianist Ralph Sutton. Alexander hailed in the Midwest; his dad played violin, as well as the youthful drummer examined music on the Ray Knapp College in Chicago and privately in NEW YORK with Sam Ulano. In the past due ’40s he started gigging skillfully with Jimmy McPartland, shifting to the music group of this leader’s wife, pianist Marian McPartland, in 1952. The amazing recordings of Sauter-Finegan in the mid-’50s frequently feature Alexander, but he actually strike his stride collaborating with guitarist Smith on some small-combo schedules around once. In 1956 he became a member of the Goodman music group for a calendar year, getting in on the ASIA tour, where he upset the gimmick of packaging a small, battery-powered clip-on light in the event the mean-spirited bandleader made a decision to bust his regular music-stand light being a prank. In the past due ’50s the drummer caused artists such as for example Bud Freeman and Eddie Condon, pledging allegiance towards the golf swing school for the total amount of his profession. Jazz discographers monitor Alexander on several jazz schedules up through 1988, the same calendar year as his loss of life, despite having been partly paralyzed with a heart stroke in 1980. One of the better docs of his playing is certainly a 25-minute film that was among five such jazz shows commissioned with the Goodyear car tire company in a string entitled Good Many years of Jazz. This 1962 present features a music group led by guitarist Mike Bryan that’s packed with golf swing experts, including tenor saxophonist Georgie Auld, trumpeter Doc Severinsen, and vibraphonist Harry Shephard.

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