Mo’some Tonebender

Mo’some Tonebender possess the distinction to be one of perhaps a dozen rings of their own time that really resided up to the “alternative” element of alternative rock and roll. The group utilized the abrasive, fuzz-driven sound similar to Hüsker Dü being a springboard, blending it with about every other impact that stirred their extravagant, from punk and commercial to synth pop and items of jazz. This catchy, mildly demented concoction didn’t provide them huge product sales, but was barely expected to, in any case, and their popularity as a concealed treasure of J-rock can be envied by many larger and blander serves. Mo’some Tonebender was produced in 1997 in Fukuoka, when taking in buddies Kazuhiro Momo, who sang and performed electric guitar, and Isamu Fujita (drums), fulfilled the bassist Yasunori Takei at an area present. Teaming up, they started releasing demonstration tapes and playing night clubs, scoring a agreement using the indie label Quattro UK Discs by 1999, if they released their debut EP Get. Their initial full-length, Dawn Rock and roll, arrived in 2000, and two of their following CDs, Hello (2001) and Light, Glide, Dummy (2001), had been handled by General, although the main waved farewell with Mo’some Tonebender when the adoration from the press and a committed following didn’t result in a commercial discovery. Unperturbed, Mo’some Tonebender proceeded release a the experimental Cause Content (2003), tinged with punk and electronica, and got a cope with Columbia, which allowed them to provide a steady movement of releases, you start with The Tales of Experience (2004). They skipped 2006, but swept up in 2007, which noticed two full-lengths, Super Great and C.O.W. (HAVE A LOOK AT Globe), and in 2008 they created their ninth studio room album Sing.