Moses K & the Prophets issued only 1 one, but their tale is complex more than enough it probably needs more time to learn their bio than to hear their whole discography. The oddly called band was made up of the same staff as an organization known as the Mad Lads. The Mad Lads, like Them, had been a Belfast R&B-influenced middle-’60s music group that performed shows in the city’s Maritime Resort. Agent Phil Solomon and his sibling, record wholesaler Mervyn Solomon, who experienced performed roles in obtaining Them’s recording profession began, also helped the Mad Lads obtain authorized to Decca. Ahead of documenting for Decca, they laid down a monitor in Dublin, “Strangers,” that was compiled by Tommy Scott, who also pencil some material to them (composing “Contact My Name” and co-writing “I COULD Only OFFER YOU Everything”). Apart from the vocals, “Strangers” do bear a moving resemblance for some of Them’s ballads, improved by the current presence of guitarist Jim Armstrong, who performed in Them for some time (and who was simply not a person in the Mad Lads). When the Mad Lads found its way to London to record an individual for Decca, their name was transformed to Moses K & the Prophets, in order to avoid misunderstandings with the spirit group known as the Mad Lads that documented for Stax in the us. Moses K & the Prophets just do a unitary for Decca, “I WENT with My Baby Tonight,” that was compiled by Bert Berns (who experienced, as it occurred, written some tunes that Them documented). Relating to Owen McFadden’s liner records towards the compilation Belfast Defeat Maritime Blues, they 1st noticed the tune when Berns sang an acoustic edition from it to them at a London nightclub. Nothing at all occurred with the sole, and Moses K & the Prophets split up. Mad Lads/Moses K & the Prophets vocalist Kenny McDowell would later on take the business lead vocal slot machine in the post-Van Morrison incarnation of these, executing alongside Jim Armstrong. “I WENT with My Baby Tonight” is roofed in the Big Defeat compilation Belfast Defeat Maritime Blues, an anthology of middle-’60s paths by Belfast groupings. The disc also offers many Mad Lads paths, like the previously unreleased “Strangers,” and demos of “I COULD Inform” and “Small Queenie.” Another unreleased monitor, “REPLY TO YOUR Phone,” is certainly credited towards the Mad Lads, even though the liner notes reveal that they didn’t learn the tune until that they had been renamed Moses K & the Prophets. To mix up further dilemma, the liner records identify this being a Bert Berns structure, but Ken McDowell has got the songwriting credit in the sleeve. It really sounds as though it was documented in a specialist studio using a mind release a on the label such as for example Decca, which appears to be to point that it had been actually recorded if they were referred to as Moses K & the Prophets, not really when they had been referred to as the Mad Lads.