Mock Duck

Through the mid- to late ’60s, Mock Duck surfaced among the most widely used rock bands in the burgeoning music scene of Vancouver, BC. These were one of various Canadian rings (alongside peers such as for example Springtime, Papa Bear’s Medication Show, the Seed products of your time, and Hydroelectric Streetcar) who loaded regional psychedelic ballrooms like the Community Bistro, Retinal Circus, and Big Moms in emulation from the SAN FRANCISCO BAY AREA and Seattle moments south. Although they under no circumstances made a lot of the feeling outside their regional region, these were good enough to aid visiting titles of your day like Fleetwood Mac pc, B.B. Ruler, Nation Joe & the Seafood, as well as the Steve Miller Music group. Like a entire generation of children, Joe Mock found your guitar in the first ’60s, spurred on by rock and roll & move. By 1966 he was sufficient to try out live, and consequently formed the very first incarnation of Mock Duck with Steve Barrett (drums), Spense Sutton (vibes), Tom Hazelitt (bass), and David Sinclair (acoustic guitar). At that time they were phoning themselves Joe Mock & No Industrial Potential and had been chiefly enamored of folk-rock, especially Bob Dylan. The music group played in the Afterthought, a location where Jefferson Aircraft and Nation Joe would occasionally perform. They ultimately transformed their name to Mock Duck when Sutton’s sweetheart, unhappy with another music group practice, appended a discouraged, four-letter epithet to bandleader Mock’s surname. By the start of 1967, the very first lineup dissolved another version from the music group was created when drummer Glen Hendrickson observed Mock carrying out a solo arranged and contacted him with the chance of starting a fresh music group. With the help of bassist Lee Stevens, Mock Duck became a trio and started producing the rounds of the neighborhood psychedelic scene, that was significant plenty of by this time around to lure performers like the Doorways and Mad River from your Says. The trio worked well into the following 12 months before Stevens was changed by Rick Enns and Ross Barrett was earned on saxophone, flute, and keyboards. They started recording in the nascent R&D Studios, liberating two singles in 1968. The next, “Perform Re Mi,” received considerable airplay at local radio stations, but not plenty of to create any inroads in the us. By the finish of 1969, this edition Mock Duck also dissipated, and Mock created one more music group beneath the moniker, getting into a psychedelic R&B world before phoning it quits in 1970.