Nation & western guitarist Mike Baker, who includes a flair for backing woman vocalists and may whip out a mean slip guitar solo, is a presence within the Nashville studio room scene because the early ’70s. He was 18 after that, and guaranteed a gig like a bassist for the probably marvelous, probably mediocre Marty Martel. It had been a stepping rock, in any event: Baker thrilled his guitar just like a gas range and continued to try out both tempo and business lead for leaders such as for example Billy Walker, Tommy Money, Eddie Raven, Dottie Western, Jim Ed Dark brown, and Helen Cornelius. In 1979, the guitarist started dealing with Vern Gosdin. Program calls started from famous brands the boisterous David Alan Coe; the healthy Bobby G. Grain; the passionate Freddy Hart; as well as the devilish duo of Moe Bandy & Joe Stampley, who briefly dropped Baker’s attention if they decided to decorate like Young man George for any music video. Grizzly bears are even more Baker’s point than British pop stars, anywhere near this much can be founded from a combo he offers led because the past due ’90s, the Grizzly Rose Music group. That’s not to state he’s totally enthusiastic about country. In fact, he lists his preferred music as traditional rock and roll and in a promotion release makes particular reference to finally addressing find Grand Funk Railroad in concert after 30 years, a remark that definitely earns him the next response: “Get yourself a lifestyle!” Obviously, he has a lifestyle, a very regular one for Nashville. He slashes demos for songwriters, a few of them the writers of historic nation hits, including Potential D. Barnes, Hank Cochran, and Harlan Howard. Seated at your feet of such guys, Baker discovered the songwriting build and has used these abilities in cooperation with artists such as for example Debrah Kay, adding both music and production knowledge to two of her produces. Baker also has the Grand Ole Opry, often together with Brown.