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Michele Pertusi

Although relatively light-voiced, bass Michele Pertusi has become the significant Italian singers to have surfaced through the 1990s. His musicianship, stylishness, and stable, compact tone tag him as a significant vocalist, one whose device will likely develop and darken as time passes. He initially focused within the bel canto repertory, starting roles suitable to his means; his reluctance to overburden his vocal creation augurs well for longevity. Although his profession began young, Pertusi have been well-trained. Research with Carlo Bergonzi, Arrigo Pola, and Rodolfo Celletti experienced aided him in securing his vocal technique and creating an activity for analyzing the psychology from the numbers he was to portray. Therefore, by his mid-thirties, Pertusi experienced produced debuts with Covent Backyard, Vienna Condition Opera, the Teatro Regio in Turin, La Scala in Milan, the Paris Opera, the Liceu in Barcelona, as well as the Metropolitan Opera in NY. While not however 30, Pertusi experienced already begun to get invites from such leading conductors as Zubin Mehta, Riccardo Muti, Riccardo Chailly, Semyon Bychkov, Wayne Levine, Carlo Maria Giulini, Sir Colin Davis, and Georg Solti (who select him for Masetto in his documenting of Don Giovanni as well as for Don Alfonso in his documenting of Così lover tutte). In Italy, Pertusi offers loved a warm romantic relationship using the Rossini Event in Pesaro, having sung many principal tasks on that stage; for his accomplishments now there, he was honored the Rossini d’Oro Award. Another place with which he provides remained close may be the Celebration di Torrechiara, with performances there in 1996, 1997, 1998, 2001, and 2003. Documenting positively since his past due twenties, Pertusi provides appeared over the Deutsche Grammophon, Philips, Erato, Sony, Decca, Mondo Musicale, and Ricordi brands. His documenting of Selim in Il turco in Italia brought him jointly once again with conductor Riccardo Chailly, with whom he distributed achievement in the same just work at La Scala. Another leading function, the name function in Rossini’s Moïse et Pharaon, is definitely preserved on disk from a live show, as may be the name part in Rossini’s Maometto II, extracted from the stage at Pesaro. Furthermore to additional honors, Pertusi was granted the Abbiati International Reward in 1995.

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