A French-speaking singer and storyteller of international popularity, Michel Faubert is a one-of-a-kind entertainer as well as the perfect mover with regards to the storytelling revival from the later ’90s in Quebec. An in depth relative from the folk group La Bottine Souriante nearly off their origins, he also befriended the avant-garde music collective Ambiances Magnétiques. His music builds bridges between your rural custom and postmodern rock and roll. Faubert originates from Rigaud, a little city near Montréal. Blessed in 1959, he spent his teenagers listening to rock and roll music. In 1978, he got a shine within the Quebec folk revival led by organizations such as for example Le Rêve du Diable, La Bottine Souriante, as well as the performers documenting for the label Tamanoir. He embarked on ethnological research. Journeying throughout Quebec and Acadie (French-speaking parts of New-Brunswick and Nova Scotia), he started to gather stories and tracks. It really is during such moves that he fulfilled Ernest Fradette in 1988. The old-timer was an all natural storyteller. Faubert underwent an apprenticeship that lasted a couple of years, learning everything he could from the person he still phone calls his “storyteller dad.” Even while Faubert have been using folk ensembles, performing and playing violin in every types of trad celebrations in Quebec and European countries, actually touring France with accordionist Philippe Bruneau. In parallel, he performed with Montreal rock and roll organizations like Métropolitain, Janitors Animated, and held close ties to André Duchesne’s Quatre Guitaristes de l’Apocalypso-Bar. In 1990, music artists from each one of these formations added to his first creation, a self-released cassette entitled Maudite Mémoire. Duchesne, a founding person in the avant-garde collective Ambiances Magnétiques, opened up the doorways to its record label and an effective debut, also entitled Maudite Mémoire, arrived in 1992 (it had been later on reissued by Mille-Pattes). Supported by Duchesne’s avant-rock group Locomotive, the recording lovers traditional lyrics with contemporary music. Carême et Mardi Gras, released in 1995, continuing in the same path, featuring people of Locomotive, the metallic group Voïvod, as well as the folk a cappella singers Les Charbonniers de l’Enfer, an organization co-founded by Faubert and La Bottine’s Yves Lambert in 1993. Even more available than its forerunner, Carême et Mardi Gras yielded popular in its name track, presenting Faubert to a wider viewers. But increasingly more the musician felt the necessity to be known as a storyteller as well. He previously been presenting displays in schools because the past due ’80s, but grownups got deserted his 1993 display La Fille aux Mains Coupésera. Now with an increased profile and an archive agreement with La Bottine’s creation business Mille-Pattes, he developed the single storytelling efficiency Le Passeur, which he toured in francophone countries. It gained him the yellow metal medal in the category Stories and Storytellers in the Francophone Video games kept in Madagascar in 1997. A live recording arrived a couple of months after his third studio room work, L’Écho des Bois. In 2000, Faubert authorized using the label La Tribu and released a couple of a cappella ballads (La Récompense, 2000) and a Compact disc of tracks and stories (L’Âme Qui Sortait par la Bouche du Conteur, 2001).