b. 23 Might 1939, Lyon, Rhône, France, d. 14 November 2004, Santa Monica, California, USA. From age six, Colombier was taught piano, tranquility, counterpoint and performing by his dad. Before he reached his teenagers he had started to improvise and was shortly playing in jazz groupings that he wrote agreements. Meanwhile, he continuing studying along with his dad, in particular cathedral body organ and Gregorian chant. Provider in the France Army didn’t interrupt his music, and he continuing to execute in an array of groups and to go after his curiosity about composing and organizing. In 1961/2 he examined with avant garde composer Michel Magne and became musical movie director of Barclay Information, where he organized Charles Aznavour’s initial English-language record. He was also energetic on paper jingles for several television commercials. Through the mid-60s onwards through the others of his existence, Colombier was most widely known for his function in movies. Initial in France and in america, he had written cues, themes, tracks and complete ratings, working on a large number of projects. One of the movies and television programs to which Colombier added the ratings are El Monde Nouveau (1966), Backtrack! (1969), Colossus: The Forbin Task (1970), Paul And Michelle (1974), Le Few Témoin (1977), Against All Chances and Purple Rainfall (both 1984), THE AMOUNT OF MONEY Pit and Ruthless People (both 1986), Cop and Fulfillment (both 1988), Who’s Harry Crumb? and Astérix Et Le Coup Du Menhir (both 1989), Impulse and Buried Alive (both 1990), New Jack port Town (1991), Posse (1993), Élisa (1995), Barb Cable and Foxfire (both 1996), Screwed (2000), Messiah (2001), and Swept Away (2002). Alongside jazz musicians such as for example Peter Erskine and Jaco Pastorius, Colombier made an appearance on recordings of his personal music, including Wings (1970) and Aged Fool Back ON THE PLANET (1979). Colombier passed away of tumor in November 2004.