Michaelangelo

Little’s known concerning this group, despite the fact that their sole record, 1971’s One Tone of voice Many, arrived on a significant label, Columbia. Sounding similar to a record through the late ’60s compared to the early ’70s, its folk-rock-psychedelic mix was uncommon for prominently offering the autoharp of Angel Autoharp (as she’s billed in the record), which occasionally functioned much being a business lead guitar or body organ would in just a rock and roll lineup. Autoharp also had written the material in the LP, which shown both instrumentals (which the autoharp got its strongest function) and vocal amounts with male-female vocal mixes/alternations, even while preserving a somewhat haunting however cheery flavor in keeping with the audio of several Californian bands from the era.