Home / Biography / Michael Vorfeld

Michael Vorfeld

Michael Vorfeld is a audio and visual designer located in Berlin, Germany. His installations generally concentrate on the spatialization of light, using minimalist structures and sound style to attain real, crystalline designs. His music is usually devoted to his usage of bowed cymbals and homemade string devices to produce shimmering, microtonal music abundant with overtones. He offers performed in European countries, Japan, and America single or with additional improvisers and sometimes dancers. His function has been recorded mainly from the German label NURNICHTNUR, but also on Cross, AufRhur, X-Tract, and Trente Oiseaux. Vorfeld (given birth to in 1956) started playing music at age group 14 when he bought a set of bongos. His desire for percussion were only available in rock and roll with the most common teen organizations in senior high school. He later on considered experimental and improvised music. In the 1980s, he participated in the interdisciplinary collective Heinrich Mucken (which also included performers like Claus vehicle Bebber, Helmut Lemke, and Dieter Schlensog, who all become home titles for the label NURNICHTNUR). Using the group, he created site-specific tasks that included music, but also visible art. To be able to explore this second dimensions, he analyzed in Cologne and Kassel, generating an M.A. in visible communication. For some time, he centered on his profession in visible arts, exhibiting throughout European countries. He forged his fresh percussion vocabulary as an expansion from it. His 1st major documenting, Klimazonen, arrived in 1991. The 1995 Compact disc Sieben Freunde presented what would become his primary direction since it mixes bowed cymbals and string devices (the latter posting a resemblance with Stephan Froleyks’ haunting stringed tub). This second option opus drawn some interest. Breaking from the set up/sound art body, Vorfeld resumed live group relationship, playing in duos and trios with German performers like guitarist Hans Tammen and percussionists Wolfgang Schliemann and Burkhard Beins, and afterwards with Americans such as for example instrument developer Lou Mallozzi and dual reedist Robbie Hunsinger. He also made an appearance on Martin Speicher’s task Erdtöne: Notation des A lot and performed in Mux Trio and Vestige Vertical. He released Au Défaut du Silence with Reinhold Friedl in past due 2001, the initial record of acoustic music in the lowercase music label Trente Oiseaux.

Check Also

Attack Attack!

Not to end up being confused using the myriad Assault Assault(s) which were extremely popular …

Leave a Reply

Your email address will not be published.