Michael Primary presents himself like a audio ecologist, a name that describes his two passions: music and existence. Energetic on the avant-garde music picture since 1985, he obtained a solid status playing in digital ensembles like Morphogenesis and Organum. Primary researched ecology and worked well for the reason that field for quite some time, conserving animals habitats in South London. This function led to the introduction of techniques utilized to translate environmental and organic audio resources into music. He co-founded the live digital improvisation group Morphogenesis in 1985 with Roger Sutherland, Adam Bohman, Ron Briefel, Clive Hall, and Fred Sansom and released a string of information with them on Streamline, Paradigm, Classic Electronic Information, and his personal label Mycophile. In 1988, he began performing using the group Organum and released with them a 7″ for Les Disques du Soleil et de l’Acier in 1989 and a string of CDs in the 1990s. He offers collaborated with such avant-garde luminaries as Jim O’Rourke and Eddie Prevost and shaped the group Bad Entropy in 1997 with Geert Feytons of Noise-Makers Fifes. Michael Prime’s artwork is mostly centered on allowing the listener hear seems that encompass him but which he continues to be unaware. This will go from the decision of environments where he performs (caves, railroad tunnels, forests) to the sort of audio resources he uses. On his 1998 Compact disc Domestic Technology he manipulated noises from household home appliances such as a refrigerator and a washer. But his many influential album may be the 2000 discharge L-Fields which he ingeniously uses bioelectric recordings of hallucinogenic plant life to make haunting electro-acoustic functions. He developed a method enabling him to connect to plant life, translating variations within their bioelectrical field into sound made by an oscillator. He performed live with plant life on numerous events.