Michael Gulezian

Although not aswell referred to as he has a right to be, Michael Gulezian is really a talented folk-rock instrumentalist who comes from the John Fahey/Leo Kottke/Robbie Basho school of classical guitar playing. All those fellow guitarists inspired the Armenian-American, whose recordings possess often had an extremely religious, dreamy, airy quality and occasionally underscore his curiosity about the original modal music of India and the center East. Delivered in 1957, Gulezian was just six when he began playing the classical guitar. Among the people who do too much to motivate Gulezian’s interest in lots of various kinds of music was his dad, an oud participant who was simply well-versed in Armenian and Middle Eastern designs. (The oud is certainly a normal Arabic lute that is used all around the Middle East and North Africa for years and years). We were young in Colorado, Gulezian was subjected to a multitude of music. He discovered a whole lot about Armenian and Middle Eastern forms from his dad, and he also experienced everything from rock and roll, folk, soul, as well as the blues to traditional Indian performers like sitar star Ravi Shankar (another impact). You can hear the impact of ragas and Indian traditional music in Gulezian’s playing, and something also hears a solid understanding of acoustic Mississippi nation blues legends like Robert Johnson, Kid House, as well as the Rev. Gary Davis. Gulezian was still a pre-adolescent when he uncovered Fahey’s music; he shortly became equally experienced of Kottke and Basho. So when Gulezian was a higher school mature, he fulfilled Basho in a concert in Pueblo, CO. Gulezian performed one of is own compositions for Basho, who was simply impressed with both his playing and his composing, and inspired him to send out a demonstration to Fahey’s Takoma Information. After hearing Gulezian’s function, Fahey distributed Basho’s high opinion of him and decided that he previously a whole lot of potential. In 1979, Gulezian documented his 1st LP, Snow, and released it by himself label, Aardvark Information. Fahey made the decision that he wished to re-release the record on Takoma, but with several adjustments. After two songs had been added and three had been dropped, the majority of Snow was reissued by Takoma as Unspoken Motives in 1979. When Takoma proceeded to go bankrupt in 1985, Gulezian experienced disillusioned using the music market and made a decision to have a break from documenting and go back to university. In 1990, he graduated from your University of Az having a level in marketing. It had been also in the first ’90s that Gulezian returned to documenting and started a fresh label known as Timbreline Music; in 1992, he released Distant Remembrances & Dreams on Timbreline. That Compact disc was accompanied by 1994’s The Dare of the Angel and 2001’s Vocabulary of the Fire, both which will also be on Gulezian’s Timbreline label. In 2002, Dream (which now is the owner of the Takoma catalog) reissued Unspoken Motives on CD.