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Michael G. Nastos

Michael G. Nastos is most beneficial known for his profession like a radio broadcaster in Southeastern Michigan from the first ’70s up to 2007. His major wall plug was at NPR affiliate marketer WEMU, 89.1 FM, where he was older announcer/producer, evening host for pretty much 30 years, aswell as associate music director and main librarian. Created in Ann Arbor, MI, he was raised, briefly in Ypsilanti’s Depot City, and then within the outskirts of Milan, south of Ann Arbor. He used piano at age group six, drums and percussion at seven, and performed throughout school in a variety of marching and stage rings, and pickup rock and roll and blues groupings. A classically educated multi-percussionist, he performed various traditional and symphonic musics, little chamber ensembles, and finally jazz rings and gamelan orchestra. Turning his interest away from functioning as a specialist musician, he examined journalism and broadcasting, producing that his livelihood. He writes being a jazz reviewer for any Music Instruction, where he continues to be since its inception in the first ’90s. During his composing career he provides released syndicated previews, testimonials, or opinion columns, and proved helpful for 17 years for the Ann Arbor Information, composing on jazz, blues, globe, classical, and various other musics. He was called among the best five Midwest critics by visitors of Arts Midwest publication in 1988 and #1 Jazz Critic in the SEMJA Music Poll in 1990. In past years he was Detroit correspondent for Down Defeat, continuing for the reason that function for Cadence Newspaper, where he continues to be since 1980, and provides added to Coda, Jazz Community forum, Golf swing Journal, Arts Midwest, Jazz Information International, the Detroit Metro Situations, and it is a freelance author of musician biographies, interviews, jazz celebration and concert applications, and liner records. As an trainer and visitor lecturer, he provides spoken or trained at the School of Michigan, Eastern Michigan School, and Washtenaw Community University, regional libraries and -panel forums on the Detroit Jazz Celebrations. He’s a founding plank person in SEMJA (Southeastern Michigan Jazz Association) and presently a dynamic participant in ISIM (International Culture for Improvised Music). Furthermore he was the business enterprise supervisor for the Ann Arbor Music artists Union, for a decade was panelist and finally jazz seat for the Michigan Council for the Arts & Cultural Affairs, was promotion director world-wide for the Innovative Music Studio room in Woodstock, NY, and was used in regional retail record shops. Being a musician, he spent some time working with keyboardists Stuart Cunningham, Rick Roe, and Costs Heid, bassists Bruce Dondero and Jaribu Shahid, saxophonists Vincent York and Paul Vornhagen, the Cat’s Meow, as well as the improvising ensemble Sublingual. Desert Isle Picks John Coltrane – Africa Brass I/II Muddy Waters – Box-Chess Jack port Kerouac – Collection Santana – Lotus M’Boom – Re: Percussion Linton Kwesi Johnson – LKJ in Dub Steve Reich – Music for 18 Music artists Captain Beefheart – Bat String Puller Rahsaan Roland Kirk – Complete-Mercury Larry Youthful – Complete-Blue Be aware Arthur Blythe – Lenox Avenue Break down Eddie Palmieri and Cal Tjader – Un Sonido Nuevo

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