An offshoot (some would say descendant) from the mid-’70s incarnation of Renaissance, Michael Dunford’s Renaissance, because they usually billed themselves, were a throwback music group playing ’70s design progressive rock and roll. (Lest that audio complicated, it’s all a matter of perspective — progressive rock and roll, which should, naturally of its name, become forward-looking, is truly a ’70s design that dropped from favour amid the twin disco and punk rock and roll booms.) Dunford, originally a guitarist and a composer, and a guitarist/composer with Renaissance, was one of the most energetic ex-members of the group through the ’80s, mainly operating toward his objective of mounting a theatrical edition of “Track of Scheherazade,” which experienced originally made an appearance as a protracted suite on the Renaissance recording in 1975. He created Michael Dunford’s Renaissance in 1994, after achieving Stephanie Adlington in a workshop for his Scheherazade musical, and toured and documented successfully with the past due ’90s. Dunford’s group re-emerged at only a comparable time the fact that surviving core associates of the initial, 1969-classic Renaissance (forerunner from the ’70s group) started working together once again using that name. With Adlington as lead vocalist and Richard Dark brown writing brand-new orchestrations, the group’s repertoire blended new music and remade traditional songs with the ’70s edition of Renaissance. In November 2012, Dunford passed away of the cerebral hemorrhage at his house in Surrey, Britain, shortly after coming back house from touring in THE UNITED STATES.