A singer and songwriter whose music embraces a wealthy selection of cultural and creative affects, Mia Doi Todd was created June 30, 1975 in LA, California. Todd was raised in a innovative household; her dad, Michael Todd, was a sculptor of take note, and her mom, Kathryn Doi Todd, was a co-employee Justice within the California Courtroom of Appeals, and a patron from the arts that has helped provide traditional Japan dance and movie theater troupes to LA. As a kid, Todd became involved with movie theater and choral functionality and examined traditional vocal technique. As an adolescent, she began composing music, influenced by the task from the Beatles, Leonard Cohen, and especially Joni Mitchell, and her function created a keener concentrate when she transferred east to wait Yale School and became thinking about indie rock and roll. In 1997, associates from the Los Angeles-based group Further asked Todd to make use of their studio room to record her music; the effect was her debut record, The Ewe and the attention, a sparse group of shows featuring just her vocals and classical guitar and released on Further’s Xmas Information label around once Todd was completing her research. She then transferred to NEW YORK, where she documented her second record, Emerge from Your Mine, for Communion Information. Following a sojourn in Japan where she examined Ankoku Butoh dance, she came back to America and documented a third recording, 2001’s Zeroone, a assortment of longer and much more complex tunes that she released through her personal City Zen Information imprint. Todd’s music quickly caught the eye of Sony’s Columbia Jazz department, which authorized her to some recording agreement. Her fourth recording, The Golden Condition, discovered her re-recording lots of the tunes from her first three albums, but with an increase of expansive plans and creation from Mitchell Froom and Yves Beauvais. Shortly after the recording premiered, Sony shuttered Columbia Jazz, but Todd, undaunted, continuing exploring fresh musical perspectives on her behalf next task, 2005’s Manzanita. The recording, released by Plug Study, featured shows by users of indie pop favorites Beachwood Sparks, loud psych visionaries Deceased Meadow, and dub lovers Future Pigeon; several songs from Manzanita had been reworked on 2006’s remix recording La Ninja: Amor along with other Dreams of Manzanita, which also included four fresh tunes. In 2008, Todd reactivated her Town Zen label on her behalf eighth recording, GEA, where she caused a little acoustic ensemble and attempted longer, even more ambitious musical constructions. In 2011, Todd came back with Cosmic Sea Ship, a music cycle influenced by her religious and geographic journeys of the prior two years. You should definitely occupied with her function in music, she’s a performer and choreographer with Body Weather Lab, a Los Angeles-based Butoh dance troupe. Todd came back to documenting 2014 with Floresta. Offering her preferred Brazilian tunes, it was documented in ten times at Estúdio un Rocha in São Paulo having a solid of all-native players. It had been released on Town Zen in Sept. She came back to LA to record her follow-up, an all-English-language assortment of addresses of music by Neil Teen, Ned Doheny, Sandy Denny, Townes Truck Zandt, among others. Her studio room band included Cash Tag, John Herndon, hubby and manufacturer Jesse Peterson, and Dustin Bowlin. Songbook was released with the Virtual Label in Sept of 2016.