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Mel Brown

Most widely known for his decade-plus stint to get Bobby “Blue” Bland, Mel Dark brown channeled components of spirit, funk, and jazz to generate probably one of the most distinctive acoustic guitar styles in modern blues. Born Oct 7, 1939, in Jackson, MS, Dark brown received his 1st acoustic guitar at age 14 while fighting meningitis, expending hours each day learning the music of idols like B.B. Ruler and T-Bone Walker from his sickbed. His dad, John Henry “Bubba” Dark brown, a gifted novice guitarist who frequently backed Delta tale Tommy Johnson, was another seminal impact. After dealing with his illness, Dark brown became a member of the Duke Juniors, a teenaged spinoff of the favorite local society music group the Duke Huddleston Orchestra. Term of his prodigious capabilities spread quickly through the entire region, with 15, he performed some gigs backing the fantastic Sonny Son Williamson. Following a short stint in LA, Brown came back to Jackson in 1955, honing his abilities under Huddleston before completely settling in L.A. 3 years later. Following a six-month extend with West Coastline R&B vocalist Jimmy Beasley, Dark brown spent 2 yrs support R&B great Johnny Otis. In past due 1960, he toured using the Olympics, accompanied by a two-year tour of responsibility with the fantastic Etta James. Many considerably, while touring with Wayne he swapped his Les Paul to get a hollow-bodied Gibson Sera-175, afterwards crediting the device for the warm, wealthy tone that established him aside from rival guitarists. By 1963 the grind of touring compelled Brown off the street. He came back to L.A. and resumed his cooperation with Otis, savoring a protracted residency on the Membership Sands. He also released a session profession, playing on information by everyone from Bobby Darin to Costs Cosby in addition to T-Bone Walker’s Funky City LP. His efforts therefore impressed ABC/Impulse! manufacturer Bob Thiele that he asked Dark brown to cut his very own record for the label: 1967’s Poultry Body fat, a wonderfully oily blues-funk outing pairing Dark brown with fellow guitarist Supplement Ellis, continues to be a cult traditional. Some impressive LPs like the Wizard, I’d Rather Suck My Thumb, and Big Feet Country Gal implemented in quick succession before Dark brown joined up with Bland in 1971, showing up over the singer’s traditional California Album 2 yrs afterwards. During his stint with Bland, the guitarist also moonlighted behind blues legends John Lee Hooker, Lightnin’ Hopkins, and Roy Dark brown, and in 1976 he relocated to Nashville, where he preserved a straight busier session timetable than in LA. Upon resuming his cooperation with Bland, Dark brown made a decision to briefly abandon electric guitar and only the piano. He continued to be with the vocalist until 1982, placing his performing profession on hiatus and shifting to remote control northeast Mississippi so that they can get away the music business. Dark brown resurfaced in 1983 as an associate of the home band on the renowned Austin, TX, blues joint Antone’s. Within the years to check out, he supported everyone from Pal Man to Stevie Ray Vaughan to Clifton Chenier. In 1986, he recognized Albert Collins’ give to become listed on his music group the Icebreakers, documenting the acclaimed LP Chilly Snap before time for Antone’s. In 1989, he resumed his single career with WHETHER IT’S FOREVER, It’s FINE, released for the club’s eponymous label. Several months later Dark brown headlined the Kitchener, Ontario, location the Pop-the-Gator Golf club, finding the encounter a lot to his preference that he relocated to Canada in early 1990. There he shaped a new music group, the Homewreckers, and gradually toured the southern Ontario nightclub circuit, finally reappearing on polish in 1998 like a visitor on Snooky Pryor’s Can’t Prevent Blowin’. Brown’s Electro-Fi label debut, Throat Bone fragments & Caviar, adopted a year later on, earning the W.C. Handy Honor for Blues Return of the entire year. With 2000’s co-headlined Two times Shot!, he and Pryor gained a W.C. Handy nomination for Traditional Blues Record of the entire year. The concert disk Homewreckin’ Done Live implemented a year afterwards. After another five-year layoff from documenting, Brown released Blues: A LOVELY Part of early 2006.

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