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Maye Cavallaro

Maye Cavallaro is a self-proclaimed pupil of the individual center, who feels that how folks are alike is a lot more essential than their differences. Wherever she’s journeyed in the globe, she has discovered that people cry over gorgeous love music and touch their feet when the defeat swings. She is convinced that music may be the general vocabulary expressing itself with heartfelt feeling. She feels that she actually is a hopeless intimate, but is continuing to grow to realize a couple of a great many other hopeless romantics out there. It really is a pretty huge group. In Oct of 1996, Cavallaro produced her NY debut at Eighty Eights, in the western world village. Her initial present was sold-out and was defined by Stuart Hamstra of Cabaret Hotline, as “an extremely powerful functionality.” In Oct of 1997, she made an appearance at City Hall in NY and was explained around & Country Publication mainly because the “standout at New York’s 1997 Cabaret Convention.” Since January of 1998, while getting ready to record her second Compact disc, Never I WANT TO Go, Cavallaro have been appearing in the Nob Hill Restaurant in San Francisco’s landmark Tag Hopkins Resort, with two from the music artists who show up on the Compact disc, Denny Berthiaume on piano and Jeff Neighbor on bass. Furthermore to performing in an romantic establishing with piano and bass, Cavallaro offers led her personal quintet since around 1987. She actually is equally comfortable before a big music group, and did concert times as visitor soloist using the Billy Browning Memorial Orchestra. She feels there’s a actual thrill to make music with 26 other folks. Singing having a big music group is like traveling a big elegant car, you ,simply enter with all that sound relax, and luxury cruise. Cavallaro is positively involved in various other areas of her music. She shows tone of voice privately, and trained tone of voice classes and functionality workshops for over five years at Blue Keep College of Music in SAN FRANCISCO BAY AREA. She says that among the great thrills in her teaching profession was when, throughout a two-month performing engagement in Japan, she was asked to instruct tone of voice classes for learners who spoke just Japanese: “We do our lessons with the ‘me-sing-you-sing’ technique. Amazingly, they understood every one of the phrases to a huge selection of American music, from Duke Ellington to Stevie Question. A big course preferred was ‘My Method’ as sung by Frank Sinatra.” Her usually-shy learners would all influx their hands high, and belt out the best finish because of this melody; “We finished every class in this manner. It was extremely invigorating.” Maye Cavallaro’s initial Compact disc, In the center of a Kiss, was selected with the venerable Philip Elwood from the SAN FRANCISCO BAY AREA Examiner among the ten greatest jazz albums of the entire year. Said L.A. Jazz Picture, “Maye Cavallaro’s performing straddles the boundary between jazz and cabaret. Her phrasing is definitely genuine jazz….”

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