The usage of pseudonyms was widespread on blues recordings and has caused very much confusion among just about everybody from the genre, from fans wondering who it really is they may be actually hearing, to record companies wondering who it had been that truly cashed the royalty checks. The situation of May Alix (occasionally referred to as Mae Alix) appears unique, standing right out of the untidy path of surreptitious recordings because while there actually was a May Alix, the popular jazz and blues vocalist Alberta Hunter used the name May Alix aswell, to bypass exclusive recording agreements. This was carried out with the true Alix’s authorization, and wondering about how exactly such a demand may be worded is certainly fun: “CAN I end up being May?” Both singers were close friends, and Hunter provides indicated that she acquired a second inspiration for using the name aside from the one mentioned previously, being from the opinion that the tiny trick would in fact bring her performing pal May Alix further profession exposure. The true Might Alix hailed from Chicago, where she started working in night clubs as vocalist using the Jimmie Noone music group when she was still an adolescent. Following that she gigged with Carroll Dickerson so that as a duo with Ollie Power on the inviting-sounding Dreamland Cabaret. At this time she was fundamentally a cabaret or vaudeville vocalist who was actually not that acquainted with jazz performing. In the middle-’20s she became component of a well-known recording session using the Louis Armstrong Scorching Five, leading to Satchmo’s first graph hit using a vocal, an appetizing duo with Alix entitled “Big Butter and Egg Guy.” It had been a wonderful exemplory case of Armstrong’s genius, utilizing a non-jazz vocalist to make a sort of early novelty record and including an impressive trumpet single that critic, composer, and instructor Gunther Schuller in comparison to Mozart. The achievement of the Armstrong cooperation led to equivalent recording projects with bandleader Jimmie Noone. A degree of fame resulted in the jazz scene, however this singer actually considered her power to end up being the cabaret design and centered on this for the total amount of her profession. Jazz critics appear to possess agreed, often explaining her popularity in jazz circles as “undeserved.” Carrying out a tour of European countries, Alix became a member of Connie’s Inn Revue on the Harlem Opera Home in the first ’30s, but came back to her hometown to sing at locations like the Panama Golf club as well as the It Golf club. Bouncing back again to New York the next decade, she experienced her last prolonged engagement in the Mimo Golf club before issues with her wellness forced her to stop performing. She was frequently billed as “The Queen from the Splits,” a name that could possess originated using the techniques she produced on-stage, an art at getting away from night clubs quickly when the present was over, or possibly because she was “splitting” the usage of her name with Hunter.