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Max Raabe

Leader from the Palast Orchester, Potential Raabe was known for his commitment to a method long thought former, that of dance and film music from the 1920s and ’30s. With Palast Orchester, Potential Raabe — delivered in Lünen, Germany — made his own design within that genre, reshaping contemporary tunes (such as for example “Oops … I DID SO It Once again” by Britney Spears) in to the vintage appear of pre-World Battle II Western european dancehalls. He also starred in several musical theater jobs, including Bertolt Brecht and Kurt Weill’s Threepenny Opera in 1999, which noticed him talk about the stage with fellow German performer Nina Hagen. In 2008, Raabe as well as the Palast Orchester released their well-received 2007 Carnegie Hall functionality on Disc, entitled Heute Nacht Oder Nie (or, for all those maintaining in British, “Tonight or Hardly ever”). Übers Meer implemented this year 2010 before Raabe caused fellow German and frontwoman of seminal Neue Deutsche Welle (German New Influx) action Ideal, Annette Humpe. Both initial collaborated on 2011’s Küssen Kann Man Nicht Alleine, which highlighted lyrics by Humpe and music compiled by Raabe. Both teamed up once again for 2013’s Für Frauen Ist das Kein Issue, which debuted in the German product sales charts at number 3.

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