b. 1874, Kuppenheim, Germany, d. 12 Might 1964, Brewster NY, USA. Dreyfus visited the united states at age 14 and was shortly doing work for music publisher, T.B. Harms. He performed piano being a songplugger, ultimately rising to be company supervisor. When Harms’ wellness failed, Dreyfus bought him out. Posting hits, such as for example ‘Poor Butterfly’, as well as the rating of Floradora, Dreyfus shortly built the business in to the biggest in music posting. A guy of integrity, he produced many close friends and was broadly viewed with respect. Dreyfus was a gifted skill spotter and his encouragement resulted in a better job for Jerome Kern and George Gershwin, 2 yrs before the last mentioned wrote his initial complete Broadway rating, La, La, Lucille. Apparently, Dreyfus informed the composer, ‘I experience you involve some nutrients in you. It’ll turn out… I’ll gamble you. I’ll offer you $35 weekly without any established responsibilities.’ Among various other composers in those start had been Cole Porter, Arthur Schwartz, Vincent Youmans, Richard Rodgers and Lorenz Hart. It had been through Dreyfus that Rodgers and Hart’s music reached a broad open public with sheet music product sales of ‘Manhattan’ and ‘Right here In My Hands’. Dreyfus didn’t capitalize upon these successes towards the detriment from the songwriters, rather he established organization plan whereby composers, lyricists and librettists had been together with the posting company. Additional songwriters with whom Dreyfus worked well had been Irving Caesar, Anne Caldwell, Friend De Sylva, Lew Dark brown and Ray Henderson, E. Ray Goetz, Sigmund Romberg, Harold Rome, Jule Styne, Kurt Weill, and Alan Jay Lerner and Frederick Loewe; regarding the second option pair, Dreyfus released their My Good Woman. In his early years at Harms, Dreyfus published and released ‘Cupid’s Backyard’ beneath the name Maximum Eugene, in acknowledgement of Eugene Lesser, a violinist who experienced befriended the son when he was a lowly songplugger. In 1914, Dreyfus joined up with ASCAP (the American Culture of Composers, Writers and Web publishers), serving like a table member until soon before his loss of life. Towards the finish from the 20s, Dreyfus offered portion of his empire to Music Web publishers Holding Company, a subdivision of Warner Bros., for any reported $8 million. He concurrently obtained the UK organization, Chappell Ltd., which his more youthful sibling, Louis Dreyfus, required charge. All the companies where Dreyfus had a pastime continued to develop in power and prosperity through the next decades.