b. 18 Sept 1928, Oran, Algeria. A Jewish pianist, Un Medioni first used the piano aged nine. Following a Allied invasion of Algeria in 1942, he performed the strikes of your day in pubs frequented by American troops from whom who he learnt jazz, boogie woogie and Cuban rumba. Following the battle he worked like a tailor and in addition played with numerous western groups located in Algeria. In 1948 he found out the rai music of Algeria’s Arab community and created a multi-cultural group with whom he performed both at Muslim wedding ceremonies with the Café Oran within the town’s Jewish One fourth. Two years later on he also began to play with Jewish orchestras, carrying out the Andalusian music of Algeria’s Jewish community. Following a outbreak from the Algerian Battle of Independence, Un Medioni relocated to Paris where he resumed tailoring and in addition backed lots of the most widely known French Jewish performers. In 1967 he bought a clothes business in Marseilles and, apart from extremely occasional one-off shows with Jewish performers, retired from music. Within the 80s, influenced from the resurgence appealing in rai, Un Medioni reunited with a number of the Arab music artists he had used within the 40s and 50s, and recreated his exclusive cross cultural design of Algerian music. Time for music regular, he began to perform with youthful French-based Arab music artists and in addition Jewish performers in France and Israel. Café Oran, Un Medioni’s belated worldwide debut discharge, was made by Hijaz Mustapha (of 3 Mustaphas 3) and highlighted guest performances from Salamat’s Mahmoud Fadl and associates from the Klezmatics, playing alongside music artists who acquired originally accompanied Un Medioni nearly half of a hundred years previous. The sound is certainly a unique mixture of affects, including Arabic, Jewish, Cuban, over which Un Medioni improvises his very own distinctly Algerian/Jewish deviation of boogie woogie and jazz.