Learning music with Schutz in the Dresden court docket, this German organist and composer continued the traditions of his teacher. He kept appointments using the electoral chapel in Hamburg, was the organist under Schutz at Nykobing, Denmark, came back to Dresden finally settling in Hamburg as the organist from the Jakobikirche. Weckmann can be attributed with founding a musical university in Hamburg in 1660. Several compositions were related to Weckmann but many of them in ascribed in mistake. Anonymous manuscripts had been reported to be in his handwriting but past due analysis shows that this just was not the situation. The composing was the just reason behind having attributed this compendium of functions to Weckmann; appropriately, these compositions stay anon. The compositions that are Weckmann’s obviously display that he had not been a author of convention but continuing on one path, following lead of his instructor, by using sympathetic textual preparations and effective dissonances using a complex usage of counterpoint.