Matt Utal

Handling practically the entire selection of reed tools, Matt Utal made an appearance on typically one jazz documenting session each year between your mid-’40s and the first ’90s. He’s best known among the preferred horn players in Les Brown’s several big-band aggregations such as for example Les Dark brown & His Music group of Renown, and provides appeared on newer Brown recordings, like the acclaimed Digital Golf swing from 1986 and Live from Jantzen Seaside from the next decade. Connected with both Chicago and LA jazz moments, Utal made a lot of uncredited performances at several ’50s and ’60s pop documenting periods, but listeners searching for types of bandleaders strolling Utal through noncommercial sessions certainly possess several pearls worthy of diving for. One particular recording may be the Cy Touff Pacific Jazz aspect entitled His Octet and Quintet, where the outstanding composer Johnny Mandel supplied arrangements for both differently size combos highlighted. The musicians consist of great trumpeter Harry “Sweets” Edison, tenor saxophonist Richie Komuca, pianist Russ Freeman, as well as the amazingly synchronized rhythm portion of bassist Leroy Vinegar and drummer Chuck Flores. Although at least one critic provides acknowledged Utal with playing bass trumpet upon this session, that isn’t the case in any way, as he’s noticed on his regular baritone and alto saxophones. A different aspect of Utal could be noticed on Crimson Ingle’s Tim-Tayshun, among some novelty music tasks the previous Spike Jones sideman made.