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Mary Jeanne Van Appledorn

This widely-respected educator and stylistically diverse composer was created October 2, 1927 in Holland, Michigan. She graduated (as valedictorian) in 1945 from Topeka SENIOR HIGH SCHOOL, Topeka, Kansas. She received her Bachelor of Music (with Difference) in Piano on the Eastman College of Music, Rochester, NY, in 1948, and was honored George Eastman Honorary Scholarships every year; her Master’s level in Music Theory implemented in 1950, and she received teaching fellowships between 1948-50. She received her Phd. in Music from Eastman in 1966. Her principal instructors at Eastman had been Bernard Rogers and Alan Hovhaness. She actually is presently over the music faculty at Tx Tech School in Lubbock, Tx, where she’s trained since 1950. Her first listed composition schedules from 1947, her Contrasts for piano, several three homages in the varieties of Bartok, Bloch, and William Schuman. The task received the Mu Phi Epsilon Country wide Composition Competition. In 1948 she composed Cellano Rhapsody for cello and piano, that was documented by CRS Inc. Her Two Shakespeare Tracks for choir and piano (1953) received two awrds: one through the Ithaca University Choral Composition Competition in 1979, and through the Southcoast Choral Culture of California in 1985. Her Group of Five for piano received a Mu Phi Epsilon honor and was documented by Opus One Information (#52) offering the composer as pianist. Her Concerto Brevis for piano and orchestra adopted the next yr, and her Patterns for French Horn Quintet was created in 1956; this surprising function premiered on a recently available Opus One Compact disc (#162). Her Concerto for Trumpet and Music group (1960) was premiered in the USSR in 1986, and in Budapest, Hungary in 1987; it’s been documented with an Opus One LP (#110) by Robert M. Birch as well as the Tx Tech College or university Symphonic Music group. Her Passacaglia and Chorale for orchestra was made up in 1973 and was a finalist in the NSOA/Scherle & Roth Orchestra Structure Competition in 1979; it really is on the same Opus One LP (#110). The entire year 1976 noticed two important functions: the Western Tx Suite for Chorus, symphonic music group and percussion ensemble (commissioned from the Lubbock Individual College Area for the Lubbock Bicentennial Choral Concert for the reason that yr; and her award-winning Collection for Carillon which received the Top Prix at Dijon, France in 1980.) The large-scale cantata Increasing Night After Evening for choirs, three soloists, narrator and orchestra was constructed in 1978 and premiered the next calendar year at Tx Tech School. It’s been documented in the Vienna Contemporary Experts Series (#3004) with the Slovak Radio Orchestra of Bratislava, executed by Oliver Dohnanyi. Her Matrices for saxophone and piano (1979) received the Tx composers Guild Award for 1980, and was documented on Golden Crest Information by Dale Underwood as well as the composer. Her 1980 Symphony for Blowing wind Outfit, percussion and playthings was commissioned by the ladies Band Directors Country wide Association and documented by Golden Crest Information. It received the Virginia University Band Directors Country wide Association Prize. The same calendar year noticed her Azaleas for baritone single, flute and piano, which received the Petit Jean International Artwork Song Celebration Award in 1984. Her Lux; Star of Sankta Lucia for symphonic music group, harp, percussion ensemble and handbells was commissioned by Country wide Intercollegiate Rings in 1981 and it received the Virginia University Band Directors Prize in 1982. Among her most uncommon works, Liquid Silver for saxophone and piano was constructed in that calendar year, and received its leading on the 1982 Globe Saxophone Congress, nurembert GFR. It received the American Culture of School Composers Prize in 1982 and Premio Ancona (Italia) Prize in 1986. It’s been documented with an Opus One Compact disc (#147). Her A Celestial Clockwork for carillon implemented in 1983, and within the next season A Liszt Fantasie for piano which received honours from Bradley College or university and Composers and Songwriters International Structure Contest. It’s been documented by Utmost Lifchitz on the North/South Consonance Compact disc. Her Four Duos for viola and cello (1986) won First Award fro the Tx Composers Guild in 1987. Her 1987 function for harp, Sonic Mutation was premiered in NY in that season and was documented with the Modern Record Culture, and her Missa Brevis for tone of voice, trumpet, and body organ (also brass Quintet) was premiered in the USSR. The next season noticed a number of brand-new parts, the Caprice for carillon that was premiered on the Riverside Cathedral in NEW YORK by adam Lawson. Her Sonatine for clarinet and piano premiered at Carnegie Hall, NEW YORK; a ballet, Group of Seven was premiered by NEW YORK Ballet Business at Lincoln Middle. A function for blended chorus and body organ, Appreciate Divine, All Appreciate Excelling and five brief parts for unaccompanied trumpet, Cornucopia curved out the entire year. The entire year 1992 noticed two dramatic functions: her Incantations for trumpet and piano was commissioned by North Dakota Condition University or college and premiered there and leter documented with an Opus One Compact disc (#162); and the wonderful Terrestrial Music. A dual concerto for violin solko, piano single and string orchestra received its leading in Nagano, Japan and a later on performance in the Columbia University or college Miller Theater in NY. The 1993 Atmospheres for trombone ensemble was documented by Opus One (#169); also that 12 months her Postcards to John for acoustic guitar was made up and another 12 months received your guitar Basis of America Honor. The entire year 1994 also noticed the genesis of her Rhapsody for trumpet and harp, also documented on Opus One (#169); Les Hommes Vides (from T.S.Eliot’s The Hollow Males) for unaccompanied chorus; Audio the Trumpet for trumpet and body organ, and the colorful and amazing Reeds Afire for clarinet and piano. Her 1995 Cycles of Moons and Tides for symphonic music group was commissioned for the 50th Wedding anniversary of Tau Beta Sigma and received a energetic documenting on Opus One (#170); in the same season came an body organ work Variants on Jerusalem the Golden, the smart Trio Italiano for trumpet, horn and bass trombone; and a environment of the Kay Scully poem, Legacy, for bass baritone and piano. The Trio Italiano received the International Trumpet Guild Prize for 1996 in Longer Seaside, California; and a fresh function, Passages for trombone and piano received it is world premier on the International Trombone Celebration in Feldkirch, Austria.

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